近世文藝

浅井了意仏書考

―『無量寿経鼓吹』を中心に―

木村迪子

2019 年 110 巻 p. 1-13
発行日: 2019年
公開日: 2020/01/31

DOIhttps://doi.org/10.20815/kinseibungei.110.0_1

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Asai-Ryōi (?-1691) is well known for his kana-zōshi novels, but he is little known as a Shin Buddhist priest of the Ōtani School who wrote several popular religious books. As I pointed out in my study of Kan-muryōju-kyō-kusui, he heavily depended on Jōdo Buddhist texts for his religious writings. In this article I make bibliographical survey on Muryōju-kyō-kusui, another religious book by the same author. As is shown here, it borrows not only from Jōdo Buddhist texts such as Shōsō’s Daikyō-jikidan-yōchū-ki but also from the Chinese Buddhist texts Kigen-jikishi and Hōon-jurin. The collation of the book with Kūzei’s Shijūhachigan-shuteki-jikidan reveals its unauthorized use of Shin Buddhist teachings. Indeed he acknowledged quotations from them only twice in his whole works. Such avoidance of acknowledgement of his debt to Shin Buddhism obviously affects his style of writing religious texts.

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木村黙老の蔵書目録攷

―多和文庫蔵『高松家老臣木村亘所蔵書籍目録残欠』の位置づけ―

三宅宏幸

2019 年 110 巻 p. 15-29
発行日: 2019年
公開日: 2020/01/31

DOIhttps://doi.org/10.20815/kinseibungei.110.0_15

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Kimura-Mokurō, a chief retainer of the Takamatsu domain, was such an avid book collector that Kyokutei-Bakin admiringly wrote about his mania for collecting rare books. Miyogo Kimura and Masayuki Kanda have made known the existence of a catalog of his library, “Sanhan-mokurō-Kimura-shi-zōsho-mokuroku” which is reprinted in Seiyūdō-sōsho edited by Nabeta-Sanzen. But it is far from perfect because it lists just the items he had collected since he came up to Edo. In the Tawa Library of Kagawa Prefecture, however, there is another catalog of his library titled Takamatsu-ke-rōshin-Kimura-Wataru-shozō-shoseki-mokuroku-zanketsu. Although it is mentioned in Kagawa-ken-shi and other local documents, it has not been sufficiently studied. While verifying its authenticity through an analysis of handwriting, this article examines the catalog to identify the sourcebooks of Kimura’s works and elucidate his cultural background. The catalog is excellent enough to be utilized as a sort of search engine for his collection.

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〔シンポジウム記録　第一部〕神の国のほとりの方丈

―『方丈記』異本―

福田安典

2019 年 110 巻 p. 31-38
発行日: 2019年
公開日: 2020/01/31

DOIhttps://doi.org/10.20815/kinseibungei.110.0_31

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〔シンポジウム記録　第一部〕吉田家と徒然草

―近世初頭における徒然草受容史の一齣―

川平敏文

2019 年 110 巻 p. 39-46
発行日: 2019年
公開日: 2020/01/31

DOIhttps://doi.org/10.20815/kinseibungei.110.0_39

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〔シンポジウム記録　第二部〕近世伊予の祭礼と芸能

―吉田祭・川名津神楽を中心に―

大本敬久

2019 年 110 巻 p. 47-55
発行日: 2019年
公開日: 2020/01/31

DOIhttps://doi.org/10.20815/kinseibungei.110.0_47

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〔シンポジウム記録　第二部〕近世芸能研究から見る川名津神楽

山田和人

2019 年 110 巻 p. 57-64
発行日: 2019年
公開日: 2020/01/31

DOIhttps://doi.org/10.20815/kinseibungei.110.0_57

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〔シンポジウム記録〕「日本近世文学の可能性―地域からの発信」全体コメント

小助川元太

2019 年 110 巻 p. 65-69
発行日: 2019年
公開日: 2020/01/31

DOIhttps://doi.org/10.20815/kinseibungei.110.0_65

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展示目録（平成三十年度秋季大会　於愛媛大学城北キャンパス）「愛媛大学図書館鈴鹿文庫貴重書展」

2019 年 110 巻 p. 71-74
発行日: 2019年
公開日: 2020/01/31

DOIhttps://doi.org/10.20815/kinseibungei.110.0_71

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