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大山 恵利奈2024 年 120 巻 p. 1-14
発行日: 2024年
公開日: 2025/01/31
ジャーナル フリーThis paper tentatively names Tokugawa Ieyasu-related military writings known as Kanpon Mikawaki, as “ ‘manabon’ Mikawaki” (The Mikawa Chronicles written entirely in Chinese characters), and, as a basis for its research, aims to investigate the theory of “Matsubara Jikyū” as its compiler. Matsubara Jikyū was known as a former retainer of the Tōdō clan from the Early Modern Period. Historical records of the Tōdō clan suggest that the name he went by was “Yamaji Shōbee”, not “Matsubara Jūemon” as is commonly cited. Based on this, a search for the sources of the main text reveals that two thirds of the whole originate from his own authorship, and this work belongs as a re-compiling of pre-existing works by Jikyū into military writings with Ieyasu as main theme. Even writings which are present only in ‘manabon’ Mikawaki and not found among works by Jikyū – considered the source - also support the theory of Matsubara Jikyū as compiler. From the above, I consider the theory of Matsubara Jikyū as compiler to be appropriate. Furthermore, in part IV of this paper, I indicate the possibility that the one third of the main text whose direct sources are not found could have sources in a lost work by Jikyū.抄録全体を表示PDF形式でダウンロード (1145K) -
―諸本の整理と本文改変を中心に―木越 俊介2024 年 120 巻 p. 15-28
発行日: 2024年
公開日: 2025/01/31
ジャーナル フリーIn Nihon Koten Bungaku Daijiten (Dictionary of Japanese Classical Literature) 2 (Iwanami Shoten, 1984), Hamada Keisuke indicates, in the entry “Kiryo Manroku”, the existence among the copies of Kiryo Manroku (Travel Ramblings) by Kyokutei Bakin of a book (commonly known as Bakin Saiyūki-bon) whose content was largely distorted following its transcription by Jippōan Daijō. However, to date, it has not been investigated what form that “distortion” actually took, and what intention by Daijō was in force behind it. The first half of this paper gives order to the lineage of the main text of Bakin Saiyūki-bon and the copies precursing it, while the second half considers the various issues surrounding the “distortion”. Daijō did not only add a signed postscript, but altered the original text without notice, sometimes adding his own impressions and critical language about the travel. Behind this attitude toward transcription by Daijō might be involved the idea of treating the original text as a first draft and overwriting it, or a way of evaluating the gesaku writers of his time.抄録全体を表示PDF形式でダウンロード (1118K) -
加藤 弓枝, 高松 亮太, 宮川 真弥2024 年 120 巻 p. 29-37
発行日: 2024年
公開日: 2025/01/31
ジャーナル フリーPDF形式でダウンロード (1061K) -
関原 彩, 岩間 智昭, 飯倉 洋一, 浅井 万優2024 年 120 巻 p. 39-46
発行日: 2024年
公開日: 2025/01/31
ジャーナル フリーPDF形式でダウンロード (1053K)
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