JOURNAL OF MASS COMMUNICATION STUDIES
Online ISSN : 2432-0838
Print ISSN : 1341-1306
ISSN-L : 1341-1306
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Volume 66
Displaying 1-21 of 21 articles from this issue
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Media and Power in Wartimes ; In the Case of Japan
Articles
  • The Body of Audience
    with the pleasure of music
    Yuu KAGIMOTO
    2005Volume 66 Pages 74-90
    Published: January 31, 2005
    Released on J-STAGE: October 06, 2017
    DOIhttps://doi.org/10.24460/mscom.66.0_74
    JOURNAL FREE ACCESS
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    　The paper attempts to relate two modes of enjoying music for audience. One is identifying with others or ideas through interpreting about the meaning. The other is the identification toward nothingness through the textural reception of sounds. 　　The way of discussion is to reconsider the body of audience as a field theoretically. This paper suggests that there are four directions of enjoying music with the change of the image of a body. 　　In conclusion, the experience of music audience is that the multilayer images of a body are changing and being connected with each other in the process of reception.
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  • The Ritual Performance Mediated by the Net Media Anthropological Study on Yoshinoya Festival in Channel 2
    Masaaki ITO
    2005Volume 66 Pages 91-110
    Published: January 31, 2005
    Released on J-STAGE: October 06, 2017
    DOIhttps://doi.org/10.24460/mscom.66.0_91
    JOURNAL FREE ACCESS
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    This paper applies a performative view, not a communicative view, to the largest online community in Japan, Channel 2 by analyzing its typical collective action called Yoshinoya Festival, from both aspects of its online communications and offline events. Behaviors in online communications are analyzed quantitatively based on the methodology of CMC studies, and those in offline events are analyzed qualitatively based on that of cultural anthropology. Then the problematic characteristics in Channel 2 are discussed.
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  • Journalism and the foundation of Modern “Art” in Japan
    Rin TSUBOI
    2005Volume 66 Pages 111-128
    Published: January 31, 2005
    Released on J-STAGE: October 06, 2017
    DOIhttps://doi.org/10.24460/mscom.66.0_111
    JOURNAL FREE ACCESS
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    This paper examines what kind of roles journalism played on the foundation of Modern “Art” at the Meiji era in Japan. It first looks at how arts were reported by journalism when it had not yet been established as a system and discusses the intimate relation between two. It then examines how the relation gradually changed with the commencement of art exhibitions, focusing on the newspaper coverage on the “Hakubakai” exhibitions. Finally, it looks at the Bunten, the national art exhibition held by Ministry of Education, and discusses how journalism shifted to overheated reports, naturally resulting to affect the viewers.
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Workshop Reports
Research Group Records(April, 2004 to October,2004)
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