抄録
The intention of this paper is to make a thematic explication of Aldo van Eyck's architectural thought through analyzing his diagram of "leaf-tree, house-city". The analysis consists of three chapters as follows: Chapter 2 illustrates the points of the analysis as a question of both texts and composition in the diagram. Chapter 3 illustrates the meaning of two large ovals as the identification of nature and human. Chapter 4 refers to the "image" to recognize the meaning of the third small circle as the "scope for poetry". Through this analysis, it is indicated that he intended to realize the ambiguity in architecture, which is drawn in the third circle suggesting the realm of embodied matters.
