日本デザイン学会研究発表大会概要集
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デザイン創造過程におけるドローイングの役割について : デザイン思考過程における思考の抽象度と創造性の関係(2)(口頭による研究発表概要)
永井 由佳里野口 尚孝
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p. 50-51

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We had two experiments to know how creative thinking was done. Firstly, a design task was assigned with two keywords of different difficulties in form making. As the result, designer seemed to change his thinking way depending on the difficulties of keywords in design process. Secondly, we assigned a task of "Design a chair which makes feel sad". As the result, different paths in a thinking way were shown. One was using metaphors of sad feeling and the other was using metaphors of concept of sadness. Most of creative results were seen in the former case. From these results, we concluded that the creative thinking required high level abstraction which had long thinking path with effort of thinking in drawings.

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© 2001 日本デザイン学会
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