抄録
The paper attempts to relate two modes of enjoying music for audience.
One is identifying with others or ideas through interpreting about the meaning.
The other is the identification toward nothingness through the textural reception
of sounds.
The way of discussion is to reconsider the body of audience as a field theoretically.
This paper suggests that there are four directions of enjoying music
with the change of the image of a body.
In conclusion, the experience of music audience is that the multilayer images
of a body are changing and being connected with each other in the process
of reception.
