2010 年 76 巻 p. 139-156
Previous studies of Japanese media history focused on the practices of
radio amateurs in prewar Japan. However, in postwar Japan, they played a
more active role. They crafted radio receivers and audio sets themselves, and
contributed to the development of media technology.
This paper attempts to describe their practices in prewar and postwar
Japan. Radio craft was a material practice which meant that crafting equipment
became a hobby, and the popularization and decline of radio craft in postwar
Japan was a process in which a diversity of other radio experiences converged
with receiving programs.