音声研究
Online ISSN : 2189-5961
Print ISSN : 1342-8675
特集「アクセントの理論」
高さアクセントの記述 : 段、向き、契機、核など(<特集>アクセントの理論)
川上 蓁
著者情報
ジャーナル フリー

1997 年 1 巻 2 号 p. 20-27

詳細
抄録
Tables 1, 2 and 3 show the accent patterns of Kyoto Japanese at three stages of its development or simplification. Here H means that the pattern begins with the High Register, while L means that the pattern begins with the Low Register. (The Register is of no use in the description of Tokyo Japanese.) The marks "["and"]" indicate the points of Up-Turn and Down-Turn of the voice pitch. The Down-Turn may be interpreted as the Accent Kernel when it is culminative, that is when it has no cunterpart - Up-Turn, as is the case of Modern Japanese. The letter r in the example of Section 3.1 stands for the Rising Inclination (a rise in an undecided manner), and the letter n expresses the negation of it. In short, n means an almost even tone. The letter t in Section 4.1 means the Tense Inclination, and n here means "not tense" or a slow falling tone.
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© 1997 日本音声学会
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