The author argues in the way of ideographic analysis concerning visual human images as interfaces between person and environment, that is compared with the way of nomothetic analysis which pursues objectivity and universality. The function of affective meaning is reconfirmed here, and the purpose of the study could be to pursue the aspect of the variety, multi-layering, and transaction of affective meaning. Analytical description of the scene was done in an environmental situation which could be said as a socio-ecological event. Then it is observed that the quality of the informations which belong to the affective meaning in the visual human images changes through perceptual cycles, and that it does not only control the person to person relationships and behavior settings at the spot but also gives non-ignorable influences to spatial arrangements and its architectural planning and design, as an important example of interface.
