The Bulletin of Japan Art Documentation Society
Online ISSN : 2433-2860
Print ISSN : 0917-9739
ISSN-L : 0917-9739
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Volume 10
Displaying 1-16 of 16 articles from this issue
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  • [title in Japanese]
    2003 Volume 10 Pages Cover1
    Published: March 31, 2003
    Released on J-STAGE: September 01, 2022
    DOIhttps://doi.org/10.24537/jads.10.0_Cover1
    JOURNAL OPEN ACCESS
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  • [title in Japanese]
    2003 Volume 10 Pages Toc1
    Published: March 31, 2003
    Released on J-STAGE: September 01, 2022
    DOIhttps://doi.org/10.24537/jads.10.0_Toc1
    JOURNAL OPEN ACCESS
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  • CONTENTS
    2003 Volume 10 Pages Toc2
    Published: March 31, 2003
    Released on J-STAGE: September 01, 2022
    DOIhttps://doi.org/10.24537/jads.10.0_Toc2
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  • Activities of the Kyoto Digital Archive Program for the Cinema "Makino Project"
    Mika TOMITA
    2003 Volume 10 Pages 3-11
    Published: March 31, 2003
    Released on J-STAGE: September 01, 2022
    DOIhttps://doi.org/10.24537/jads.10.0_3
    JOURNAL OPEN ACCESS
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    The Kyoto Cinema Digital Archive Program for the Cinema, “Makino Project” organized in 2000 has achieved a series of researches on the history of the Makino Film Studio. Our major results consist in collecting and cataloguing of all kinds of documentation about Makino's activities, and in constracting their databases, classtified in different categories such as image's, filmography, text's, etc. This paper describes our archival policy and the substance of our databases.
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  • Establishing a database for The Japan Institute of Folk House
    Bunji SUGIMOTO
    2003 Volume 10 Pages 12-19
    Published: March 31, 2003
    Released on J-STAGE: September 01, 2022
    DOIhttps://doi.org/10.24537/jads.10.0_12
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    Lots and lots of age-old streets, villages, and houses, together with the lifestyles of their inhabitants are rapidly vanishing all across this country.
    Therefore the importance of preserving photographs, sketches, diagrams, and documents that have recorded these treasures and the people’s way of living here is compelling ----urgent, in terms of folklore studies.
    As we all know, this country is abundant in such invaluable records.
    The best method so far for the preservation is of these digitalization of relevant materials storing digitally on hard disc or CD ROM, such as that of utilizing photo-disc digital images, because once digitalized, images deteriorate much less and slower than ever.
    This report focuses on digitalized archive that has been established on the database of The Japan Institute of Folk House, and technically compares analog data with digitalized data, which is highly suitable for the particular purpose in such a warm and humid country as Japan.
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  • CIDOC CRM
    An Introduction and Some Controversial Point
    Naoki TAKUBO
    2003 Volume 10 Pages 20-36
    Published: March 31, 2003
    Released on J-STAGE: September 01, 2022
    DOIhttps://doi.org/10.24537/jads.10.0_20
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    Studies concerning standardization of structural description of media have rapidly progressed since the middle of '90s in the world of museums, libraries, archives and network resources. In this paper among such studies, CRM (Conceptual Reference Model) of CIDOC (International Committee for DOCumentation), which is a standard of the world of museums, is focused. It is regarded as a semantic ‘glue’ for heterogeneous cultural heritage documentation systems and as a domain ontology. It analyzes and defines entities which are needed for collection documentation in detail by using a object oriented model. Its scope is very wide; from the world of museums, of course including art museums, to the world of libraries, archives and network resources. It is questionable whether CRM will practically work as a semantic ‘glue’ or not. But the author believes it will make some advances in collection documentation studies.
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  • An introduction to International Guidelines for Museum Object Information
    Compared with the International Standards for Bibliographic and Archival Description
    Naoki TAKUBO
    2003 Volume 10 Pages 37-49
    Published: March 31, 2003
    Released on J-STAGE: September 01, 2022
    DOIhttps://doi.org/10.24537/jads.10.0_37
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    In this article, “International Guidelines for Museum Object information: The CIDOC Information Categories”, it is called IGMOI in the followings for convenience, is introduced and is compared with “General international Standard Bibliographic Description” (ISBD(G)) and “General international Standard Archival Description” (ISAD(G)). IGMOI is a reference model which is used for designing a collection documentation or description system. Its descriptive items are not used directly but used as a basis for descriptive items of a museum. The value of items is basically controlled in order to realize consistent description and effective information retrieval. In this sense, the character of IGMOI is very different form that of ISBD(G) and ISAD(G).
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  • The Development of Dictionaries of Art in Nineteenth Century France
    Mizuho OTA
    2003 Volume 10 Pages 50-68
    Published: March 31, 2003
    Released on J-STAGE: September 01, 2022
    DOIhttps://doi.org/10.24537/jads.10.0_50
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    The nineteenth century in France, which starts with the advent of Napoleon, was “le siècle des dictionnaires”. Moreover, dictionaries of art by countries were published by editors, such as GABET, BERRIER, and AUVRAY. This was also the last era in which the dictionaries were created through compiling the work of individual editors. This is a comparative and analytical study, using as an example one editor and his dictionary, specifically the treatment of neoclassicist pictures.
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Report from the JADS 17th Lecture
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