The development of digital technologies and the spread of digital devices throughout daily life worldwide have affected tourism. As digital devices and digital spaces have become more widespread in tourism, the concepts of tourism and tourist activities have been up for discussion in tourism studies, especially the influence of digital space and the transformation of concepts of tourism.
The spread of digital spaces has also been seen in the Islamic world, as the contents of religious experiences can diversify without geographical and temporal constraints. As a result, a certain public sphere seems to be forming in this cyberspace, promoting new forms of religiosity embedded in digital space.
Although the development of digital spaces builds a huge database of religious experiences in an automatic manner, and diminishes the materiality of tourist practices and communication between actors, this public sphere seems to be producing new forms of religious authenticity and publicity. In fact, the development of digital spaces in Islam expands serious discussions of the public nature and authenticity of religious experiences in the field, and people have begun to search for consensus on permissible religious experiences in using digital spaces.
This paper, therefore, examined the social impact of the spread of digital devices in tourism studies by analyzing the transformation of the authenticity of Islamic religious experiences in digital spaces.
Characteristics of the flow of religious experiences in digital spaces and publicizing religious experiences are examined through empirical case studies. Although the development of digital spaces in the Islamic world has collected and diversified religious experiences, some religious experiences enhance communication between people in digital spaces by applauding, referencing, and imitating, whereas others foster miscommunication by condemning and ignoring them. As a result, preferable religious experiences are accumulated in digital spaces, creating a certain communicative flow that promotes their publicity. During this process, people prefer to imitate a certain rhythm by referring to other religious experiences in digital spaces to bridge their individual sensory experiences and those of the digital spaces in question. These collective practices contribute to accumulation and dispersion in digital spaces, and this tendency reflects the increasing degree of publicity and authenticity of religious experiences.
To conclude, the development of digital spaces in Islam promotes the materiality of physical senses in the non-physical sphere by developing the accumulation and dispersion of religious experiences based on individual analogies of rhythms. Social practices in digital spaces controversially acknowledge materiality based on an individual sense of rhythm and time.
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