Proceedings of the Japanese Society for Cognitive Psychology
The 6th Conference of the Japanese Society for Cognitive Psychology
Displaying 1-50 of 132 articles from this issue
  • Takashi Matsuo
    Session ID: O2B-01
    Published: 2008
    Released on J-STAGE: November 10, 2008
    CONFERENCE PROCEEDINGS FREE ACCESS
    Matsuo (2007) examined the delay time and the distance as a variable that influenced feeling the followed object animacy. In Matsuo's experiment, the judgment from the paired comparison was requested for four items ("It has an intention", "The reaction is good", "It was obedient", and "It is living-like"). It was found that shorting the delay time of the object answered them as feeling alive. But interactiveness and autonomy were not clear. In this experiment, the relation to animacy was reexamined. The value of the variable at the delay time was changed and the judgment was requested for two items as interactiveness("It moves voluntarily"and "It has an intention") ,two items as autonomy ("The reaction is good"and "It was obedient") and one item as anmacy("It is living-like"). The judgment of animacy became the result of combining interactiveness factor and autonomy factor.
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  • Hisashi SHINODA, Rikuko SEKIGUCHI
    Session ID: O2B-02
    Published: 2008
    Released on J-STAGE: November 10, 2008
    CONFERENCE PROCEEDINGS FREE ACCESS
  • Influence of listeners' musical experience
    Haruka Shoda, Toshie Nakamura, Shoko Yasuda, Kazuma Mori, Mayumi Adach ...
    Session ID: O2B-03
    Published: 2008
    Released on J-STAGE: November 10, 2008
    CONFERENCE PROCEEDINGS FREE ACCESS
    Shoda et al. (2007) suggested that 'artistic' performances reveal emotional features of the musical pieces, through an experiment in which participants rated their multi-dimensional impressions about the emotional content of some renditions performed with 'deadpan', 'artistic', and 'exaggerated' intentions. As such impressions may depend on the listeners' musical experience, in the present study we investigated the listeners' perceived musical emotions of two groups: one consisted of participants with long musical training (N=41), and the other consisted of participants with low musical experience (N=42). As a result, the fundamental pattern of impression ratings was similar for both groups. However, the suggestion that 'artistic' performances communicate the emotional features of musical pieces particularly applied to the listeners with higher musical training.
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  • Shoko Yasuda, Toshie Nakamura, Haruka Shoda, Kazuma Mori
    Session ID: O2B-04
    Published: 2008
    Released on J-STAGE: November 10, 2008
    CONFERENCE PROCEEDINGS FREE ACCESS
    It is known that people who have strong experiences related to sound are large in number (Oode et. al., 2006), and therefore we assume there are many cases of strong experiences with listening to music. Gabrielsson et al. (2003) showed that strong experiences with music consist of 7 categories: "General characteristics" "Physical reactions and behaviours" "Perception" "Cognition" "Feelings/Emotions" "Existential and transcendental aspects" "Personal and social aspects". However the relationship between these categories is still obscure. In this light, in order to clarify such relationship, we conducted experiments focusing on physical reactions and emotions that were investigated quantitatively. This study provides meaningful information that will contribute to the quantitative clarification of strong experiences with music in the future.
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