Total, neutral and phospholipid compositions were compared to freshwater (FW) fishes and seawater (SW) fishes. The total lipid amounts were compared to fish of FW environment and SW environment. Phospholipid compositions from various organs of guppy and masou salmon were compared to FW and SW environment. Neutral lipid compositions from various organs of guppy and masou salmon were compared to FW and SW environment. The total lipid amounts, the ratios of phospholipid to neutral lipid and lipid composition were affected by the rearing environmental salinity. In SW adaptation of the guppy, the total lipid amounts decreased in the whole body, eye, liver and muscle while these increased in the gill, digestive tract and kidney. Total phospholipid amounts increased in the whole body, eye, gill, digestive tract, liver and kidney in SW adaptation. Phosphatidylethanolamine and sphingomyelin of the gill, digestive tract, liver and eye increased in SW fishes, while phosphatidylcholine of the kidney decreased. Triglyceride and free cholesterol of all tissues decreased, while cholesterol esters increased in SW. Of the fatty acids, C_<14:0>, C_<16:0>, C_<16:1>, C_<18:0>, C_<18:1>, C_<18:2>, C_<18:3>, C_<20:2>, C_<20:3>, C_<20:4>, C_<22:4>, C_<22:5> and C_<22:6> were the main fatty acids present both in FW and SW fish. The proportion of saturated fatty acids to polyunsaturated fatty acids decreased in SW adaptation.

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The purposes of this study were (1) to find dominant factors of seeking for "listening to music" from situations in everyday lives, and (2) to compare levels of seeking for arousing music and for sedative music in the situations. College and junior college students (N=49) rated scores of seeking for music in 16 imaginary situations on 7-point scale. Subsequently, they rated scores of seeking for arousing music and sedative music in the same way. Multidimensional analysis was conducted on the rating scores, and produced 2 dimensions: "Degree of feeling the something is missing" and "level of adjustment to need in the situations." Factor analysis produced 6 factors: "to improve one's mood", "to study", "to sleep", "being comfortable now", "wake-up in the morning" and "having nothing to do." These dimensions and factors suggested that the seeking for music arose from seeking for stimuli and from thought of changes in arousal level. Significant differences between scores of seeking arousing and sedative music were found on "to sleep" factor (arousing<sedative) and on "wake-up in the morning" factor (arousing>sedative). These suggested that arousal values of music varied the levels of seeking for the music. After considerations of individual differences of seeking for "listening to music" in situations, the present results will be applicable to check clients' cognition of music therapeutic situations.

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