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Shuhei Watanabe, Takuroh Sone
2017 Volume 41 Issue 3+ Pages
1-4
Published: May 01, 2017
Released on J-STAGE: October 05, 2017
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Sora Mizutani, Takashi Amagai, Kengo Aizawa, Natsumi Kawashima, Ichiro ...
2017 Volume 41 Issue 3+ Pages
5-6
Published: May 01, 2017
Released on J-STAGE: October 05, 2017
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Akio Kawaguchi, Hirofumi Ninomiya
2017 Volume 41 Issue 3+ Pages
7-9
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Hideki Sakai, Mai Isomi, Hiroyuki Iyota
2017 Volume 41 Issue 3+ Pages
10-11
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Mai Isomi, Hideki Sakai, Hiroyuki Iyota
2017 Volume 41 Issue 3+ Pages
12-15
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Kosuke Amo, Kazumichi Wakabayashi, Nakamura Takashi, Hirofumi Yatani
2017 Volume 41 Issue 3+ Pages
16-19
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Tomonori Tashiro, Yuki Miura, Takehiro Nagai, Yasuki Yamauchi
2017 Volume 41 Issue 3+ Pages
20-22
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Masahiro Takano, Yoko Mizokami
2017 Volume 41 Issue 3+ Pages
23-25
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Yuki Tanaka, Keita Hirai, Midori Tanaka, Takahiko Horiuchi, Katsunori ...
2017 Volume 41 Issue 3+ Pages
26-27
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Takehiro Nagai, Naozumi Yamada, Yuki Kawashima, Yasuki Yamauchi
2017 Volume 41 Issue 3+ Pages
28-31
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Takashi Inaba
2017 Volume 41 Issue 3+ Pages
32-33
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Kyoko Hidaka
2017 Volume 41 Issue 3+ Pages
34-35
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Norifumi Kunimoto
2017 Volume 41 Issue 3+ Pages
36-39
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Kohji Yoshimura, Yuko Yamada
2017 Volume 41 Issue 3+ Pages
40-43
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Kumiko Kikuchi, Chika Katagiri, Yoko Mizokami, Hirohisa Yaguchi
2017 Volume 41 Issue 3+ Pages
44-47
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Kazuki Hamada, Yoko Mizokami, Hirohisa Yaguchi
2017 Volume 41 Issue 3+ Pages
48-49
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Chisako Otsuka, Yoko Mizokami, Hirohisa Yaguchi
2017 Volume 41 Issue 3+ Pages
50-51
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Miho Saito, Tadayuki Wakata
2017 Volume 41 Issue 3+ Pages
52-53
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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The purpose of this study was to consider the impact on impression from other people by the change of light and color temperature during makeup corresponding to TPO while focusing on the light conditions during makeup. As the setting conditions of light during makeup, we set two types, one was a warm color condition assuming going to a bar and the other one was a white color condition assuming going to a university. In addition, we used a light assuming their houses as the control condition. We had four subjects put on makeup four times in total, two settings were putting on makeup under a house light and going to a bar and going to a university, and the other two settings were putting on makeup under a warm colored light and going to bar and makeup under a white colored light and going to a university. Afterward, regardless of the light during makeup, we had them put on makeup under a warm colored assuming a bar and under a white colored light assuming a university. We used the average face for each makeup that we created for four subjects as stimulation. We presented the stimulation one by one with iPad Air2 and individually evaluated the impression with SD method including 22 adjective pairs. 100 people participated the experiment. As a result of the factor analysis on the impression evaluation value, two factors were extracted. We named the first factor as Gracefulness Factor and the second factor as Heavy Makeup Factor. In order to show a characteristic per factor of each stimulation, we created a scatter diagram with average factor score. For the impression change of makeup corresponding to TPO, the impact from illuminance was more than the change of color temperature and it was shown that people could give more positive impression by makeup under the condition with higher illuminance.
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Tadayuki Wakata, Miho Saito
2017 Volume 41 Issue 3+ Pages
54-57
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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In the present study, it aimed to extract common impression dimensions in 3 senses (color, music, and scent) with use of sensory information and examine a relation for each individual sense in the impression dimension. Color stimuli were selected on the basis of PCCS and total 25 stimuli (12 tones, 12 hues, and achromatic color) were used. The study used 30 kinds of scent stimulation mainly as food flavor. It also used music stimulation in 40 music categories selected from the preceding studies. These stimulations had impression evaluation with Semantic differential method (SD method) with 20 pairs of adjectives. In addition, color stimulation was evaluated for brightness and vividness with use of VAS. 37 people participated in the experiment. The study obtained 4 factors after extracting impression dimension by factor analysis. Integrated dimension for brightness and vividness was calculated for color tone stimulation by principal component analysis. The integrated dimension for this result was named as “Brilliantness”. When calculating correlation coefficient between the factor of “Brilliantness” and impression dimension, the study found a high correlation with Factor 1 and 2 in impression dimension; therefore, we decided to focus on these 2 factors. The study categorized each scent stimulation and music stimulation by cluster analysis. As the result, there were 8 groups/11 groups for scent/music stimulation respectively. When focusing on a relation for each color, scent, and music in Factor 1 and 2, the study recognized a distribution to the first/third quadrant for color/scent respectively while music indicated a distribution to the second/forth quadrant in addition to it.
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Yuki Mihara, Kazuki Hamada, Chanprapha Phuangsuwan, Ikeda Mitsuo, Yoko ...
2017 Volume 41 Issue 3+ Pages
58-59
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Change of color appearance of invariant psychophysical color, namely a color of same chromaticity coordinates, was investigated. A subject observed a color chip placed in a test room illuminated white through a small window from a subject room illuminated by white, red, yellow, green, or blue light and assessed the color of the chip by the elementary color naming. With the white light he perceived the original color of the chip and with colored lights he perceived color after the chromatic adaptation to the light in the subject room. The color appearance shown on the polar diagram used in the opponent color theory indicated that the color of chips shifted away from the adapting color.
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Akiko Sugiyama
2017 Volume 41 Issue 3+ Pages
60-63
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Yi Zhuang, Sari Yamamoto
2017 Volume 41 Issue 3+ Pages
64-67
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Haruyo Ohno
2017 Volume 41 Issue 3+ Pages
68-69
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Mayumi Amimura
2017 Volume 41 Issue 3+ Pages
70-73
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Akiyo Makino
2017 Volume 41 Issue 3+ Pages
74-76
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Janejira Mepean, Chanprapha Phuangsuwan, Mitsuo Ikeda
2017 Volume 41 Issue 3+ Pages
77-78
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Color appearance of afterimages was measured by the elementary color naming. Twenty vivid colored stimuli were presented on a display on a white background one by one and subjects judged the color, which we called the adapting color. After 10 more seconds of gazing the stimulus the subjects judged the color of the afterimage, which we called the adapted color. Apparent hue correspondence of the adapting and adapted colors was similar to the results obtained by the two rooms technique but the chromaticness of the adapted color was 20 to 40 % of the adapting color, which is much smaller than the two rooms technique. The hue correspondence was analyzed both by the opponent colors theory and the complementarity, but not satisfactory.
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Chanprapha Phuangsuwan, Mitsuo Ikeda
2017 Volume 41 Issue 3+ Pages
79-80
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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It is said that the color constancy does not take place in a photograph. This research aimed to demonstrate the chromatic adaptation and consequently the color constancy on 2D photograph as a real space by utilizing a D-up viewer by using the two rooms technique. The experiment was to observe the color appearance of a test stimulus of N6; (1) in the real room, (2) in the photograph through a D-up viewer and (3) in normal viewing of 2D photograph. Five colors of illumination were investigated. Subjects perceived vivid color for N6 in the first two conditions but not for the third condition to show the chromatic adaptation to take place when subjects perceived the 3D space even in the photographs.
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Chutipha Pipornpong, Chanprapha Phuangsuwan, Ikeda Mitsuo
2017 Volume 41 Issue 3+ Pages
81-82
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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The color appearance of 24 colored objects were measured by the elementary color naming under ten different illumination of LED light, D65, red, yellow, green, and blue. The apparent colors of eleven objects to cover hues were plotted on a polar diagram used in the opponent colors theory. Under the D65 light all eleven objects gave large amount of chromaticness from 60 to 80 % making a large round contour on the diagram. A similar round contour was maintained for the most of colored illuminations but for the illuminations of which chromaticity points were almost on the spectral locus of u’v’ diagram the contour shrank and shifted toward the illumination color to indicate poor color constancy. A new index of the constancy was introduced.
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Nana Moriyama, Mikiko Kawasumi
2017 Volume 41 Issue 3+ Pages
83-85
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Kiwamu Maki
2017 Volume 41 Issue 3+ Pages
86-89
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Tsuneo Suzuki, Shoko Isawa
2017 Volume 41 Issue 3+ Pages
90-91
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Xiaohong Zheng
2017 Volume 41 Issue 3+ Pages
92-94
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Shin Endo, Takeru Takahashi, Shin Satori
2017 Volume 41 Issue 3+ Pages
95-98
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Daiki Nakaya, Shin Endo, Shin Satori, Tsutomu Yoshida, Makoto Saegusa, ...
2017 Volume 41 Issue 3+ Pages
99-101
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Misao Takamatsu,, Keiko Ishigami, Hiroko Inui, Masumi Maruyama, Takeno ...
2017 Volume 41 Issue 3+ Pages
102-105
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Yuki Nakajima,, Shuilan He, Takayoshi Fuchida
2017 Volume 41 Issue 3+ Pages
106-109
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Terumi Hayakawa,, Hiroko Inui, Takenori Ichiba
2017 Volume 41 Issue 3+ Pages
110-113
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Mamiko Kikuchi, Takanori Igarashi, Hirayuki Satou, Tsutomu Fujimura
2017 Volume 41 Issue 3+ Pages
114-117
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Masako YAMADA
2017 Volume 41 Issue 3+ Pages
118-120
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Shuilan He, Yuki Nakajima, Takayoshi Fuchida
2017 Volume 41 Issue 3+ Pages
121-124
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Yurika Yoshimura, Takeru Ohe
2017 Volume 41 Issue 3+ Pages
125-127
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Koki Kasahara, Atsushi Tsukada, Takumi Ikeda, Kiyokazu Aoi, Yanfang Zh ...
2017 Volume 41 Issue 3+ Pages
128-131
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Ken-ichiro Kawamoto, Hidetsugu Kawashima, Akio Tabuchi, Tenji Wake, Hi ...
2017 Volume 41 Issue 3+ Pages
132-134
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Kota Kanari, Tomoharu Ishikawa, Miyoshi Ayama
2017 Volume 41 Issue 3+ Pages
135-136
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Shigehito Katsura, Shoji Sunaga
2017 Volume 41 Issue 3+ Pages
137-140
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Yusuke Hishikawa, Shigehito Katsura, Syoji Sunaga
2017 Volume 41 Issue 3+ Pages
141-144
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Takeo Odahara, Takayuki Misu, Tomoki Watanabe, Masao Isshiki
2017 Volume 41 Issue 3+ Pages
145-148
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Shun Kou,, Kotaro Mizutsuki, Mikiko Kawasumi
2017 Volume 41 Issue 3+ Pages
149-151
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Shinichi Oyama, Mikiko Kawasumi
2017 Volume 41 Issue 3+ Pages
152-153
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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Yoshihiko Azuma,, Yuji Sakurai, Takashi Yamazoe
2017 Volume 41 Issue 3+ Pages
154-156
Published: May 01, 2017
Released on J-STAGE: October 07, 2017
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