Landscape studies are diversified today. In Japan, the theme of landscape is discussed in various disciplines, especially the engineering field. On the other hand, in geography of English speaking countries, a new direction that was called “landscape as text” school was flourished in 1980s. After that it was criticized from various stances, feminism, emphasis on materiality and non-representational theory, geographical landscape studies are also diversified.
The study that emphasizes relation between landscape and visual arts has been continued. Though the historical researches since 1980s have unveiled the politics of landscape painting, it can be said that after mid-1990s there was a shift to the landscape research for contemporary art. In this review article, I reexamine the existing researches on historical landscape painting from the epistemological point of view, and survey some argument of recent landscape studies in geography for contemporary art.
In chapter four, I examine the landscape art of Gerhard Richter as a case study for the theme of landscape. Referring the researches of art studies and criticism about Richter's works, I show a geographical direction of the landscape study.
Richter is a German artist born in 1932 at Dresden. He emigrated to what was then West Germany in 1961, and completed around 5,000 artworks in the next 50 years. His oil paintings have various motifs. Although he had been painting landscapes continually for a long time, these did not attract as much attention as his other motifs with strong political overtones. However, the exhibition titled “landscapes” was held in 1998, and a book with the same title was published. As a result, his landscape paintings have garnered more attention.
Richter uses the technique called “photo-painting” which involves the creation of oil paintings by replicating photographs. Furthermore, his landscape paintings resemble his abstract painting with respect to his techniques such as blurring and smearing. By painting landscapes in his characteristic way, Richter challenges our conventional landscape idea as a way of seeing the world based on the linear perspective.
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