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Volume 32 (1998)
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Volume 32, Issue 3
Displaying 1-12 of 12 articles from this issue
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[in Japanese], [in Japanese]1998 Volume 32 Issue 3 Pages 1-2
Published: 1998
Released on J-STAGE: August 25, 2010
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Michio Katoh1998 Volume 32 Issue 3 Pages 3-12
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSThis survey treats architectural pictorial sketches from Vitruvius to 20th century. According to pictorial sketches, we can't have no rigorous definition because there were various types of pictorial sketches before their definition by projection method was made. So to understand the usage of these sketches, we have to look into various drawings historically. The conclusion is following. 1) Perspective method after Renaissance is an important one, because it simulates human perceptions as the imitating image of a retina one. 2) Axonometric drawings can represent architecture objectively setting a fixed view point free. So this method can be seen as a simulation of our recognition. 3) But we can't understand the change from perspectives to axonometric drawings as an evolutionary one. Because we can see various types of pictorial sketches after the Middle Ages, where we can find various devices such as Villard de Honnecourt's sketches or Du Cerseau's ones.View full abstractDownload PDF (9792K) -
[in Japanese]1998 Volume 32 Issue 3 Pages 13-17
Published: 1998
Released on J-STAGE: August 25, 2010
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—Analysis and Reconstruction of Stencil Typeface on T. Bogler's Kitchenwares—Tsuyoshi Maruyama1998 Volume 32 Issue 3 Pages 19-26
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSTheodore Bogler's ceramic kitchenwares were found on the photographs of a wall cabinet in the kitchen in the experimental house, “Am Horn” ‹Weimar›, which was built for “The 1923 BAUHAUS Exhibition”. The letters on the kitchenwares are considered to represent images of the period, showing what is contained in it. They are designed to be geometrical stencil typeface.
This paper describes:
1) an analysis for the form and elements of these stencil typeface.
2) reconstruction of the stencil typeface which is available for a use on Personal Computer.View full abstractDownload PDF (2364K) -
Masato Ishii, Kunio Kondo1998 Volume 32 Issue 3 Pages 27-34
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSThe problem of the image retrieval system using kansei information has been a development of the method of connecting with objective kansei information to the image data, when the image data was appended. To solve this problem, the technique by which kansei information is mechanically extracted from the apparel monochrome pattern and the extraction system are proposed. In this technique, the shape and the position of object of pattern are recognized by the image processing. Then, the composition elements by which characteristic of pattern is shown are guessed automatically. The kansei information hence can be calculated with those values by kansei information models and are output.
The evaluation experiment was done by using ARSKI (Apparel pattern Retrieval System using Kansei Information), to proof of the effectiveness of this technique. As a result, the retrieval hit rate to 280 kinds of patterns was 66% and the effectiveness was confirmed.View full abstractDownload PDF (2524K) -
Michiko Ishigaki1998 Volume 32 Issue 3 Pages 35-44
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSWith the purpose of developing of a new technique in clothing design, garments were produced using a body surface approximate development figure as the design source and pattern blueprint. In our research so far the development figure was based on three-dimensional data of the body trunk as obtained by sliding gauge measuring, approximating the trunk in terms of a grouping of rectangular patches.Variations were then applied to the components of the development figure by changing the direction in which the patches were connecting with each other, thereby producing the garment pattern. In this way we tried to achieve an aesthetic application of the body surface approximate development figure in the design process. We concluded that using the body surface approximate development figure for the body data would therefore be the first step toward a new garment design technique. This technique would at once be creative while matching the garment to actual body shape.View full abstractDownload PDF (12795K) -
—On Usage of Axonometric Drawings by Choisy, A.—Michio KATOH1998 Volume 32 Issue 3 Pages 45-52
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSThis paper looks into Choisy's usage of axonometric drawings on“Histoire de L'architecture”. Prior to this analysis the difference of the usage of the term ’axonometric’ between graphic science and architecture is put in order and clalified. As to Choisy's axonometric drawings, the conclusion is following. 1) Various kinds of axonometric drawings are used. 2) On usage of foreshortening ratio along 3-dimensional axis there are various types. 3) On shades and shadows there are some drawings with shades and shadows, and the others not. 4) We can understand Choisy's axonometric drawings as one of the completed form, for they include all means representing the image of objects both correctly and uniquely.View full abstractDownload PDF (3437K) -
Katsumi Morita1998 Volume 32 Issue 3 Pages 53-60
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSIn order to make the synesthesia phenomenonan of colors and image clear, we performed a test using W. wolff s color-word matching method and from the first to the firth factor were exctracted from the factor analytical method.
The order from the first to fifth factor are“the pleasantness-unpleasantness-factor”, “the activity-factor”, “the strong-week-factor”, “the evaluation-factor”, “the potency-factor”.
In each factor, the first factor corresponds to light clear colors and dark clear colors. The second one is to high chroma and low chroma. The third one is to light clear colors and dark clear colors of warm color. The fourth one is to yellow of“low lightness or high chroma”and“middle lightness and from middle chroma to yellow of low chroma”. The fifth one is to“low lightness and low chroma”and“from middle lightness to warm color of high chroma”.
The test was based on matching one handred colors with fifty-five sense adjectives.
The results of the test tells us that synesthesia image of colors was defined by mainly tone, depending on chroma and lightness.
As for intermodality in colors and sense image, the correlation of the emotional meaning dimension and the meaning dimension of sense was confirmed.View full abstractDownload PDF (2020K) -
Naoki ODAKA1998 Volume 32 Issue 3 Pages 61-69
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSWhen F1 (t), F2 (t) is expressed as periodic function of t, we define the figure which x=F1 (t) , y=F2 (t) draws as pan trochoid. When a circle rolls along grounds circle, including when the circle slides, a trace of point fixed on the rolling circle is contained all by this pan trochoid. And if a radius of grounds circle becomes infinity, x = F1 (t) or y = F2 (t) becomes a form containing linear expression of t, and calculated figures go straight while rolling the straight line top. Here, I use this pan trochoid going straight on as basic form for the creation of geometric figures.
The purpose of this paper is to show algorithm to form geometric figures, using this pan trochoid going straight on. In other words, this paper shows settingmethod of pan trochoid going straight on and their conversion method (turn transformation, spiral transformation, affine transformation, projective transformation, compound transformation), and discusses concrete geometric figures formed by those transformation and their characterics and is going to provide the fundamental method to make unique and harmonic geometric figures quickly as plane design, decoration and art.View full abstractDownload PDF (897K) -
[in Japanese], [in Japanese]1998 Volume 32 Issue 3 Pages 71-73
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSDownload PDF (288K) -
[in Japanese]1998 Volume 32 Issue 3 Pages 75-77
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSDownload PDF (166K) -
[in Japanese], [in Japanese], [in Japanese], [in Japanese], [in Japane ...1998 Volume 32 Issue 3 Pages 79-100
Published: 1998
Released on J-STAGE: August 25, 2010
JOURNAL FREE ACCESSDownload PDF (2572K)
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