Journal of Graphic Science of Japan
Online ISSN : 1884-6106
Print ISSN : 0387-5512
ISSN-L : 0387-5512
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Volume 26, Issue 2
Displaying 1-6 of 6 articles from this issue
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  • On the Generation of Ming-Style Font from the Bitmap Data of kanji ROM
    Takao YASUI, Hiroshi FUNABASHI, Yoshiko KAWABE, Hideaki ONOZUKA
    1992 Volume 26 Issue 2 Pages 3-9
    Published: 1992
    Released on J-STAGE: August 25, 2010
    DOIhttps://doi.org/10.5989/jsgs.26.2_3
    JOURNAL FREE ACCESS
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    A new character processing system has been developed in order to freely generate various style of characters on a personal computer. Center lines of each stroke of a letter are extracted from the bitmap data of the kanji ROM and the lines are expressed by equations of interpolation curves. Widths of strokes are classified and expressed by several function of the distance along the center line from its starting point. Because characters have been expressed by the equations of center lines and widths of strokes, arbitrary styles can be easily generated, which has been demonstrated by using Ming-style font.
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  • The Application of Diagrams of Geometrical Figures
    —Comparison of Paintings of Purisme and Severini
    Michio Katoh
    1992 Volume 26 Issue 2 Pages 11-18
    Published: 1992
    Released on J-STAGE: August 25, 2010
    DOIhttps://doi.org/10.5989/jsgs.26.2_11
    JOURNAL FREE ACCESS
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    This paper analyzes paintings of “purisme” proposed by Ozenf ant-Jeanneret and Severini who wrote“Du Cubisme au Classicisme”. The standpoints of this analysis are 1) elements which compose their paintings, 2) the proportion of sides of paintings (canvas), and 3) applicated diagrams of geometrical figures. The conclusions are the followings. 1) Their elements of still lifes are similar, and Ozenf ant-Jeanneret composed the elements with a hieralchical structure (lignes, surfaces, volumes), but Sévérini proposed lignes and angles with implied relations to volumes. 2) Ozenfant-Jeanneret uses F canvas with the approximate ratio of 1: √3/2. Severini uses M or P canvas with approximate rations of 2: 3, 3: 5, and 1: √2.3) As diagrams regulating compositions, Ozenfant-Jeanneret use regular triangles. Severini uses right angled triangles difined by the ratio of sides by used canvas. 4) The correspondence of elements to the diagram is impliee in Ozenfant-Jeanneret, but explicite in Severini.
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  • [title in Japanese]
    [in Japanese]
    1992 Volume 26 Issue 2 Pages 19-30
    Published: 1992
    Released on J-STAGE: August 25, 2010
    DOIhttps://doi.org/10.5989/jsgs.26.2_19
    JOURNAL FREE ACCESS
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  • [title in Japanese]
    [in Japanese], [in Japanese]
    1992 Volume 26 Issue 2 Pages 31-38
    Published: 1992
    Released on J-STAGE: August 25, 2010
    DOIhttps://doi.org/10.5989/jsgs.26.2_31
    JOURNAL FREE ACCESS
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  • [title in Japanese]
    [in Japanese], [in Japanese]
    1992 Volume 26 Issue 2 Pages 39-46
    Published: 1992
    Released on J-STAGE: August 25, 2010
    DOIhttps://doi.org/10.5989/jsgs.26.2_39
    JOURNAL FREE ACCESS
    Download PDF (587K)
  • [title in Japanese]
    [in Japanese]
    1992 Volume 26 Issue 2 Pages 47-48
    Published: 1992
    Released on J-STAGE: August 25, 2010
    DOIhttps://doi.org/10.5989/jsgs.26.2_47
    JOURNAL FREE ACCESS
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