Journal of Graphic Science of Japan
Online ISSN : 1884-6106
Print ISSN : 0387-5512
ISSN-L : 0387-5512
Volume 45, Issue 2
Displaying 1-5 of 5 articles from this issue
Research Paper
  • Hidekazu TSUJIAI
    2011 Volume 45 Issue 2 Pages 3-8
    Published: 2011
    Released on J-STAGE: August 01, 2017
    JOURNAL FREE ACCESS
    As for the corridor of Thai Royal Palace Wat Phra Kaeo, a Thai wall painting is drawn dividing into 178 rooms. The pictures are a story of RAMAKIAN. Whether by what perspective these Thai wall painting is drawn is analyzed. We analyze the projection method from the lattice pattern of the floor for that. At this time, the influence given from the expression of the story to the composition was considered. Moreover, this wall painting continues without not advancement by one story a room but like the picture scroll of Japan the delimitation of this diagram reality and the different time room the picture and exists for a right and left, upper and lower, different story. A Thai wall painting considers the difference of advancing from the right left unlike the picture scroll of Japan.
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  • Shingo SADAKUNI, Kiyofumi MOTOYAMA
    2011 Volume 45 Issue 2 Pages 9-17
    Published: 2011
    Released on J-STAGE: August 01, 2017
    JOURNAL FREE ACCESS
    We developed an application for creating documents in order to explore the way to write in highly-networked information society. We implemented an automatic function to display and to search related articles. In this research, we apply this knowledge to an application for idea generation support. In this, we use images from WWW from the standpoint that displaying visual images is effective in idea generation. Finally we evaluate the application through experimental.
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  • ―A Study of Text Books authored by Craftsmen in Sixteenth Century―
    Nobuhide NAO
    2011 Volume 45 Issue 2 Pages 19-28
    Published: 2011
    Released on J-STAGE: August 01, 2017
    JOURNAL FREE ACCESS
    The dawn of “Perspective” can trace back to the achievements by Craftsmen of the 16th century in southern Germany. Perspective used by artists and architects in the fifteenth century in Italy, after the death of A. Dürer, German Craftsmen: H. Rodler, E. Schön, A. Hirschvogel, W. H. Ryff, H. S. Beham, H. Lautensak, H. Lencker, and P. Pfinzing are succeeding a perspective and they have published textbooks on the perspective from 1531 through to 1599. In this study, we analyzed the textbooks authored by Craftsmen in the sixteenth century, and we consider on their perspective. The textbooks authored by H. Rodler and E. Schön had shown on the perspective method for the interior space of the building, and later, Craftsmen, except W. H. Ryff, has interested in drawing solid rather than space. Because they represent the space figure combined a model of three-dimensional complex. We can say to development “Perspective” by achievements of Craftsmen in the sixteenth century in southern Germany, North of the Alps.
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