Saiho-ji was reconstructed by Muso Kokushi as the temple of the Zen sect at the close of the Karnak ura period. Until that time it had belonged to the Jodo sect. This changing from the Jodo into the Zen sect has geat significance for the garden attached to the temple. That is, in Saiho-ji garden, there are features of both doctrines associated with yearning for nature.
One is the lower part of the garden displdIayed around the pond which has an atmosphere of Jodo or Japanese paradice based on Jodo doctrine. The other is the upper hillside excellent for the overpowering composition of stones of Kamakura style. Besides these, there is an approach having a role of the foregsarden. Trees and moss growing there anticipate the seasonal signs of the whole garden. These three parts are combined organically and form the basic pattern of a Japanese traditional garden.
Upon this pattern, are stone compositons, a thick grove returniug to nature and dozens of mosses beneath it, which fascinate the caller, and by those elements Zen thought pervades the whole garden. That is the characteristic feature of tqe Saiho-jigarden.

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Saiho-ji was reconstructed by Muso Kokushi as the temple of the Zen sect at the close of the Karnak ura period. Until that time it had belonged to the Jodo
sect. This changing from the Jodo into the Zen sect has geat significance for the garden attached to the temple. That is, in Saiho-ji garden, there are features of both doctrines associated with yearning for nature.
One is the lower part of the garden displdIayed around the pond which has an atmosphere of Jodo or Japanese paradice based on Jodo doctrine. The other is the upper hillside excellent for the overpowering composition of stones of Kamakura style. Besides these, there is an approach having a role of the foregsarden. Trees and moss growing there anticipate the seasonal signs of the whole garden. These three parts are combined organically and form the basic pattern of a Japanese traditional garden.
Upon this pattern, are stone compositons, a thick grove returniug to nature and dozens of mosses beneath it, which fascinate the caller, and by those elements Zen thought pervades the whole garden. That is the characteristic feature of tqe Saiho-ji garden.

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Some historical gardens in Europe have been remarkably changed since the end of the last war, while others have remained much the same. The degree of alteration varies not only according to the ravages of war and the ensuing reconstruction but also by unintentional changes wrought by developments and trends in landscape design. That is to say, the more living plants are used in the design of a garden (as opposed to the emphasis on the use of stones in Japanese gardens), the more it is natural to expect that time will work alterations in its appearance.
Hence, what is important to note in the study of the history of gardens-especially those which are centuries old-is that time works great changes and that their appearance now may be significantly different than that which was originally designed. The researcher must be warned, therefore, against top subjective a judgement of any old and famous European gardens. A true evaluation as to the skill and beauty of its design, in fact, requires historical investigation as to its original plan, organization and layout, even to the extent of consulting original drawings and plans when they are available.

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Although a landscape architect is primarily concerned with the planning of physical environment, he can not possibly escape from dealing with his clients. He needs, therefore, some techniques which have much to do with the planning of social environment.
Ronald Lippitt and others have proposed a theory which identifies seven phases in the process of planned change of social environment, emphasizing the relationship between change agents and client systems. These phases seem to be useful not only for the purposes of systematic analysis but also for the practical purposes of professional change agents who want to choose appropriate social techniques in each different step of planning.
It is believed that this general theory of planned change is worth examining as to its applicability to the planning of landscape architecture.

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Although a landscape architect is primarily concerned with the planning of physical environment, he can not possibly escape from dealing with his clients. He needs, therefore, some techniques which have much to do with the planning of social environment.
Ronald Lippitt and others have proposed a theory which identifies seven phases in the process of planned change of social environment, emphasizing the relationship between change agents and client systems. These phases seem to be useful not only for the purposes of systematic analysis but also for the practical purposes of professional change agents who want to choose appropriate social techniques in each different step of planning.
It is believed that this general theory of planned change is worth examining as to its applicability to the planning of landscape architecture.

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京都市児童公園の利川実態を調査し、その典型的な公園の利用昔と周辺の研究により次の結果を得た。
1児竜公園の幼少利用者数は不良天候日を除き冬季と他の季節別により。
1日平均40人弱と120人弱と推定される。
2同じくそれは休日と平 [について総数各17千人、不良天候日を除き1日平均95人弱と140人強である。
3学令前幼児は公園利川の行動範囲75m前後、事住宅居住の場合は利川頻度が一般に低く、休日・平日間の誘致率に差は少ない。
4小学校低学年児胸ま誘致2率.について見ると100mを境界として急滅し、小住宅居住者の公園利用は牝に着しい。なお100m以遠からの平日利用は少ない。
5小学校高学年児童は公園利用の行動範囲150m程度と考えられるが、児章公園程の空間でその欲求を充すことは困難であつて利用頻度は悠しく低い。
6中学校生徒の行動範囲・利川頻度等は小学査高学年児童と同様の傾向を持つ。

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In the present study, the authors investigated the planting distribution of 140 species of gardn trees and shrubs in Japan and made the maps of distribution of 36 species and showed 11 Patterns of their distribution. The distribution maps and patterns of others will be presented in future reports.

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