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Article type: Cover
1989 Volume 1989 Issue 72 Pages
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Article type: Cover
1989 Volume 1989 Issue 72 Pages
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Satoshi Miyauchi
Article type: Article
1989 Volume 1989 Issue 72 Pages
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Article type: Appendix
1989 Volume 1989 Issue 72 Pages
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Article type: Appendix
1989 Volume 1989 Issue 72 Pages
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Article type: Appendix
1989 Volume 1989 Issue 72 Pages
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Article type: Appendix
1989 Volume 1989 Issue 72 Pages
3-4
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Kimimasa Abe
Article type: Article
1989 Volume 1989 Issue 72 Pages
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Eiichi Hino
Article type: Article
1989 Volume 1989 Issue 72 Pages
6-11
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Haruhiko Fujita
Article type: Article
1989 Volume 1989 Issue 72 Pages
12-18
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Toru Yabu
Article type: Article
1989 Volume 1989 Issue 72 Pages
19-24
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Shuichi Nakayama
Article type: Article
1989 Volume 1989 Issue 72 Pages
25-31
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Article type: Appendix
1989 Volume 1989 Issue 72 Pages
32-33
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Masaaki Tanaka
Article type: Article
1989 Volume 1989 Issue 72 Pages
34-35
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Article type: Appendix
1989 Volume 1989 Issue 72 Pages
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Article type: Appendix
1989 Volume 1989 Issue 72 Pages
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Hiroshi Ishikawa
Article type: Article
1989 Volume 1989 Issue 72 Pages
37-44
Published: March 31, 1989
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In the article of 「BULLETIN OF JAPANESE SOCIETY FOR SCIENCE OF DESIGN No.51 1985」, 4 kind items of Sx, Jx, Cx elements and several character of informations and vector patterns were showed. This paper shows that what kind of a style and a rule (include some method) were eficacy to connect the current of each different dimentional items through the main concept of creative rendering (CR). CR concept means that the creative rendering of nearly two items from among Sx, Jx, Cx by language, shape, existence and quantity. In concrete teams, it renders creatively into the form of Jx elements (design concept, form image, mechanism or productive technique, marketing data) from Sx elements (must be, want, present, fuculty) In the next step, it renders creatively into the form of Cx elements (planning, orientation, form design, ma nagment). This time, it cames to a conclusion that the conection of each elements can explain by the CR concept for the present.
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Hisataka Noguchi
Article type: Article
1989 Volume 1989 Issue 72 Pages
45-50
Published: March 31, 1989
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Recently, computer assisted design system has been climbing up to the designer's thinking process. It is not, however, reached to the level of idea flashing and idea developing process. The author has been built up a computer assisted idea developing system using a personal computer. In this system, the designer should concentrates on only selecting sketches by images under some concepts. The computer does automatically structuring a map of idea sketches by searching common words described on the sketches and by classifying the manually selected images. The designer can promote to flashing some ideas by looking over this map op idea sketches. This development study was done with the background of the author's preceded theoritical study: "The Structuer of Design Process" (Bul. of JSSD No.66, 1988).
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Makoto Watanabe, Norihiko Mori, Kazuo Sugiyama
Article type: Article
1989 Volume 1989 Issue 72 Pages
51-58
Published: March 31, 1989
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Design thinking processes of expert designers of watch were observed and represented in a mathematical model in this paper. Imaginary words named Zokei Image that had been obtained through long experiences of styling watch acted important role for whole process of watch design from concept to its final design. This important role of imaginary words was able to be explained mathematically by using of sets theory and guide to an essential structure of the model. Similarities of imaginary words were analyzed by M.D.A. (Minimum Dimensional Analisys) and seven imaginary words were extructed as typical word. It was comfirmed that those were enough for the designers to manage styling and to evaluate existing design.
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Kiyoshi Miyazaki, Hiroyuki Aoki, Toshihiro Saito
Article type: Article
1989 Volume 1989 Issue 72 Pages
59-66
Published: March 31, 1989
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In this paper, traditional Japanese wooden bowl is taken as a case, and "study of living tools" in design is analized. On the result, followings are made clear. (1) The region of study of living tool, is grouped in as follows; the study of style, the study of using, the study of value and meanings. (2) These three fields are placed between "hard" and "soft". Former is easier to realize, but for later is to realize a living tools in own mind, it is not always can be realized. (3) Besides studying each subject in ones, finally each subject must be integrated to clear, "how living tools ought to be" to establishing better life.
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Kiyoshi Miyazaki, Hiroyuki Aoki, Minami Tanaka
Article type: Article
1989 Volume 1989 Issue 72 Pages
67-74
Published: March 31, 1989
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This study is continuous for "Study of Traditional Japanese Wooden Bowl (1)." In this paper, development of Wan-design, from its origin to Muromachi era, is analyzed. The results are as follows; (1) The origin of Japanese lacquered wooden bowl or Wan, dates from the Jyoumon era. In following Yayoi era, basic technique of carving is completed. (2) In Asuka, Nara and Heian era, correspond to the influence of China and Korea, variety shape of Wan was made. (3) In Kamakura and Muromachi era, painting technique made a development, and in Momoyama era, original Japanese design-culture of Wan is established.
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Hiroyuki Aoki, Kiyoshi Miyazaki, Tsutomu Suzuki
Article type: Article
1989 Volume 1989 Issue 72 Pages
75-82
Published: March 31, 1989
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According to several statistical methods useing the results of correlation in pre-measured 49 formal items, the peculiarity between traditional WAN and mass-produced WAN for soup is analysed. The results are as follows; (1) The fundamental items of formation are "capacity", "thickness of bottom", "diameter", "height of base", "weight", "diameter of base" and "thickness of edge". (2) There are characteristical "type" in traditional and mass-produced WAN. The former is so called "volume effect", and the latter is "height effect". (3) The items which give most typical difference between traditional WAN and mass-produced WAN are "thickness of bottom" and "capacity".
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Hiroyuki Aoki, Kiyoshi Miyazaki, Tsutomu Suzuki
Article type: Article
1989 Volume 1989 Issue 72 Pages
83-90
Published: March 31, 1989
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Using statistical methods, investigation on sensory property of WAN is made from the following view points; "difference of condition of presentation," "difference of level of cognition and experience" and "difference between traditional WAN and mass-produced WAN". The results are as follows; (1) The structure of sensing estimation is consisted by sensory and practical function. (2) Traditional WAN is tend to estimated on sensory function, and mass-produced WAN is on practical function in sensing estimation (3) By putting an index which is integral of sensory and practical functions on sensing estimation, highestly estimated formation item is investigated.
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Hiroyuki Aoki, Kiyoshi Miyazaki, Tsutomu Suzuki
Article type: Article
1989 Volume 1989 Issue 72 Pages
91-98
Published: March 31, 1989
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The pysical properties of traditional WAN is investigated from the view point of living tools. Examination is made on the property of strength and hardness, thermal property and durability for microwave oven, in comparison with mass-produced WAN. The results are as follows; (1) The property of strength satisfies the faculty for living tool on account of Human Scale. (2) The property of hardness of lacquer is related to the wood and base coating. (3) The temperature change of boiled water in traditional WAN acts same as that in mass-produced WAN. The warmth of boiled water of traditional WAN is associated in sensory temperature. (4) Although the shape of WAN is best for microwave oven, durability for microwave oven is inferior to mass-produced WAN, because of concentration of microwave, glass transition temperature, base coating and porous structure of wood.
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Kiyoshi Miyazaki, Hiroyuki Aoki, Minami Tanaka
Article type: Article
1989 Volume 1989 Issue 72 Pages
99-106
Published: March 31, 1989
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This is a part of continuous "Study of Traditional Japanese Wooden Bowl." In this paper, characteristics in products of three national product districts: Jyouhouji, Wajima and Yamanaka are analyzed. The results are as follows; (1) The item which presents difference in these three districts is related to the "whole proportion" and "thickness of bottom." The item which presents same tendency is related to "proportion of detailes." (2) The item which presents difference in periods is related to the "size" and "feature of surface." The change in "featuer of surface" appears particulary after the World War. II
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Akiko Shoji
Article type: Article
1989 Volume 1989 Issue 72 Pages
107-114
Published: March 31, 1989
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This paper aims to study Bruno Taut's fundamental ideas on industrial art through the analysis of his proposals which he made for Sendai National Institute of Industrial Art. The findings are as follows: 1. There are at least 13 documents on Bruno Taut's proposals, most of which are written by him. 2. His proposals cover a wide range such as the theories of industrial arts and his answers to the questions how to industrialize Japanese traditional crafts for the purpose of export. 3. He asserted that the new tradition of Japanese industrial arts should come from the synthesis of Japan's old tradition and Western tradition introduced to Japan after Meiji Restoration. His repeated assertion was that Sendai National Institute of Industrial Art should promote Japanese industrial arts by presenting master models. He took into account the success of Deutscher Werkbund in Germany when he made proposals.
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Article type: Appendix
1989 Volume 1989 Issue 72 Pages
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Article type: Cover
1989 Volume 1989 Issue 72 Pages
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Article type: Cover
1989 Volume 1989 Issue 72 Pages
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