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Article type: Cover
1994 Volume 43 Issue 2 Pages
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Published: February 10, 1994
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Article type: Cover
1994 Volume 43 Issue 2 Pages
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
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Toru Ando
Article type: Article
1994 Volume 43 Issue 2 Pages
1-13
Published: February 10, 1994
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In the narrative world that constitutes an information society, "rumors" exist as internal media that self-reflexively reveals the characteristics of the narrative as media. I attempt to extract the situation transmitted by rumors out of the paradoxical structure of the "Kagerou" volume of The Tales of the Genji, in which "concealment" becomes precisely a "revelation." By focusing on the fact that wherever they are heard, rumors are always spoken by, and transmitted anytime to, others, I will explore the precariousness of Ukifune's centrality as a subject. At the same time, I will draw an attention to the forcefulness of the narrator who constructs such a subversive narrative that can annhilate a power structure. One might say that "rumors" mediate the inside and outside of the narrative.
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Toru Fukazawa
Article type: Article
1994 Volume 43 Issue 2 Pages
14-23
Published: February 10, 1994
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The insatiable desire for "Knowledge" represented by Fujiwara Yorinaga and Fujiwara Shinzei derives from the undeniable aspiration to comprehend turgid conditions of their time from a higher standpoint and discern the courses of the events. This wish to knon the future was consequently collectivized in the text called "Miraigi" (The Book of Future), to be shared by many. It was in short the Japanese version of "Shikiisetsu ". But was there really "The Book of Future" written by Shotokutaishi? Contemplating the strange "passion" that ceaselessly produced the imaginary text that may not exist at all, one starts to see clearly the peculiar nature of the period of insei. There are many variegated problems, including the commentaries on Nihongi, excavation of Yamatai, and different interpretations of The Life of Shotokutaishi. These problems are intertwined in the historical condition of the insei period, defying a simplistic formula. In this essay, therefore, I have merely attempted to trace roughly the process in which the discourses of stars as media transmitting the heavenly will to the earthly life are assimilated in the context of a narrative, to constitute an imaginary genre called "The Book of Future." I regret to say that I have only reached the entrance of the entire problem.
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Hitoshi Nishiki
Article type: Article
1994 Volume 43 Issue 2 Pages
24-33
Published: February 10, 1994
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In the period of insei, utaai, or utakai, was frequently held. What were the reasons for such demands for utaai? The rules of utaai include various prohibitions. Utaai, therefore, constitutes a space that prohibits and "excludes" something and reveals what should be included. That "exclusive" function, however, is not fully effective, letting the heterogeneous "invade" the space. In addition, in utaai, ancient and new poems are always presented in pairs. Considering these two points, I have attempted to criticize the accepted view in the history of waka, to open a new horizon of speculation.
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Yasuhiro Uchida
Article type: Article
1994 Volume 43 Issue 2 Pages
34-42
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Seiji Konita
Article type: Article
1994 Volume 43 Issue 2 Pages
43-53
Published: February 10, 1994
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I will compare, among the prose work representing the late Edo period, the factuai documents distributed in the form of hand-written document and the printed fictional text concerning the legend of Hirai Gonpachi, with special attention to characters' relations ane plot, in order to contemplate the specific characters of each genre or media. I believe that from such a comparison, one discerns, not only the standardization of a text through the printing of handwritten documents, but also a decisive transformation of the relations among the author, the work, and the reader.
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Sadami Suzuki
Article type: Article
1994 Volume 43 Issue 2 Pages
54-60
Published: February 10, 1994
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For literature, the primary media is language, as well as style in the more specified sense of the word. The secondary media is publishing. Novel is a literary genre that emerged with the development of media. For this reason, its own development cannot be discussed without reference to media. In the Meiji period, with dynamic transformations in publishing, the problems concerning novel and media are especially discernible. This paper attempts to present a group of problems, in order to construct a highly probable hypothesis.
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Hideto Tsuboi
Article type: Article
1994 Volume 43 Issue 2 Pages
61-70
Published: February 10, 1994
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A Theory of Liteerary Strategy, by Oya Soichi, and An Economics for Literature and The Japanes Aspect of Literature, by Okuma Nobuyuki, were contemporaneous with Walter Benjamin's theories of media. Despite their progressive treatment of readership, their theories of media as well as literature contain an aspect that repressively functions toward ecricure, assuming the inferiority of the method of "printed literature" in comparison with the new media including film. By focusing on the problem of the "silent reading" enforced by literature in 1930s, I have attempted to consider the problem of "topic" and "technique" in literary production, grappled by Oya, as well as the theory of the sequel form of literature, presented by Okuma, in order to reflect critically on the presence of the above-mentioned repressiveness.
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Takeo Miyakawa
Article type: Article
1994 Volume 43 Issue 2 Pages
71-79
Published: February 10, 1994
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Miki Takashi's Genki no Sakadachi was published as a children's book in 1986 by Chikuma Shobo. A collection of loosely-related short stories with Shigeru, a sixth-grader in 1947, as hero, it can be regarded as one of the novelist's autobiographical writings. The eight collected stories are narrated by the "I." This "I" is at once the boy Shigeru at the time of 1947 and the present author. I have attempted to contemplate the significance of Genki no Sakadachi both as a children's book and as part of Miki Takashi's overall work.
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Naoki Oishi
Article type: Article
1994 Volume 43 Issue 2 Pages
82-87
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Shunji Yamada
Article type: Article
1994 Volume 43 Issue 2 Pages
88-89
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Tadashi Ito
Article type: Article
1994 Volume 43 Issue 2 Pages
90-91
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Hirofumi Wada
Article type: Article
1994 Volume 43 Issue 2 Pages
91-93
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Article type: Bibliography
1994 Volume 43 Issue 2 Pages
94-95
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
96-
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
97-
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Article type: Bibliography
1994 Volume 43 Issue 2 Pages
101-98
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
102-
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
102-
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
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Article type: Appendix
1994 Volume 43 Issue 2 Pages
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Article type: Cover
1994 Volume 43 Issue 2 Pages
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Published: February 10, 1994
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