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Article type: Cover
2009Volume 58Issue 1 Pages
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Article type: Cover
2009Volume 58Issue 1 Pages
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Article type: Appendix
2009Volume 58Issue 1 Pages
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Article type: Appendix
2009Volume 58Issue 1 Pages
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Article type: Appendix
2009Volume 58Issue 1 Pages
1-
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Yoshiomi Abe
Article type: Article
2009Volume 58Issue 1 Pages
2-13
Published: January 10, 2009
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What is the Japanese Literature Association? This question makes me think of my personal experiences in the JLA. Across my mind come and go old memories related to it: the Society of Narratives that was in a sense inevitably formed at that time, Mogi's concept of "qualia," and Katsumi Masuda's unique idea in Kazan-retto-no-shisou. By their own original methods, both Mogi and Masuda demonstrated the possibility of literary studies outside the traditional academic framework. The JLA has been working cooperatively as an organization, but it doesn't mean that it is a well-disciplined institution. Rather the association has been always a spontaneous gathering of individual scholars who want to plan and do something together.
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Hiromi Hyodo
Article type: Article
2009Volume 58Issue 1 Pages
14-19
Published: January 10, 2009
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Jun Nonaka
Article type: Article
2009Volume 58Issue 1 Pages
20-27
Published: January 10, 2009
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The circulation of Japanese Literature, the magazine of the Japanese Literature Association, has now reached almost seven hundred copies, and it has already published more than 6,000 articles since it started. But if it continues to be issued in magazine form as it is now, the accumulation of the back issues will be soon so overwhelming that they may deteriorate into a great amount of wastepaper. Of course, it will negatively affect the magazine's academic value. Thus it is urgent for the JLA to establish the web archives si Japanese Literature so that its intellectual property can be economically and safely preserved on the net and anyone can more easily have access to it.
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Mitsuo Takano
Article type: Article
2009Volume 58Issue 1 Pages
28-34
Published: January 10, 2009
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When I look back at my career as a kokugo teacher, I find that, in spite of taking a roundabout course, there is one thing I have never lost my interest in - a study of narratives. Although at first I had just a vague idea of what narratives are, I could gradually form my own concept of it under the strong and beneficial influence of the Japanese Literature Association. Now literary education, besieged with difficulties, is at a standstill, and I keenly feel it my duty as a teacher to do my best to make a change. As will be shown in this article, Senri Sugai's theory of prejudice helps me much to do it. Now I have found out that, as it forces me to be more conscious of teaching methods, doing something for literary education also means searching for my own educational style.
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Senri Sugai
Article type: Article
2009Volume 58Issue 1 Pages
35-46
Published: January 10, 2009
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I have been a member of the Japanese Literature Association for thirty-five years. Here I will look back on what I have done during the years and think of with what problems now I am faced. My argument will be centered on the present condition of the JLA and the role of the Kokugo Division in order to ascertain that the crisis of literature is closely related to current educational problems in the teaching of kokugo.
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Article type: Appendix
2009Volume 58Issue 1 Pages
47-
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Ken Akiyama
Article type: Article
2009Volume 58Issue 1 Pages
48-49
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Mamoru Takada
Article type: Article
2009Volume 58Issue 1 Pages
50-57
Published: January 10, 2009
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"Kenkai," one of the stories in Harusame-monogatari, has been regarded as a failure since its missing second part was discovered in the edition published in the fifth year of the Bunka Period. That the story ends in a bad guy's reformation is certainly disappointing, but it is very likely that Ueda-Akinari deliberately made such a banal ending, following the plot of its sourcebook, that is, Saiyu-ki, Although the influence of the famous Chinese tale on the story is seldom known, the character named Daizo, a wild strong man, is obviously modeled after the monkey king Sun Wukong. But the story is more than a mere adaptation of the old legend; the author successfully turned it into his own version of Bildungsroman where a natural man grows up to be a courageous and virtuous monk.
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Hirotaka Hashimoto
Article type: Article
2009Volume 58Issue 1 Pages
58-59
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Hiroaki Nakayama
Article type: Article
2009Volume 58Issue 1 Pages
60-63
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Akane Sawai
Article type: Article
2009Volume 58Issue 1 Pages
64-65
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Ayumi Sato
Article type: Article
2009Volume 58Issue 1 Pages
66-67
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Chisa Amano
Article type: Article
2009Volume 58Issue 1 Pages
68-69
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Makoto Kawatsu
Article type: Article
2009Volume 58Issue 1 Pages
70-71
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Mioko Shinozaki
Article type: Article
2009Volume 58Issue 1 Pages
72-73
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Izumi Sato
Article type: Article
2009Volume 58Issue 1 Pages
74-75
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Nobuchika Kitani
Article type: Article
2009Volume 58Issue 1 Pages
76-77
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Article type: Bibliography
2009Volume 58Issue 1 Pages
78-79
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Article type: Appendix
2009Volume 58Issue 1 Pages
80-
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Article type: Appendix
2009Volume 58Issue 1 Pages
80-
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Article type: Appendix
2009Volume 58Issue 1 Pages
81-
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Article type: Bibliography
2009Volume 58Issue 1 Pages
83-82
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Article type: Appendix
2009Volume 58Issue 1 Pages
84-
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Article type: Appendix
2009Volume 58Issue 1 Pages
84-
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Article type: Appendix
2009Volume 58Issue 1 Pages
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Article type: Cover
2009Volume 58Issue 1 Pages
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