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Article type: Cover
1997 Volume 46 Issue 11 Pages
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Article type: Cover
1997 Volume 46 Issue 11 Pages
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Article type: Appendix
1997 Volume 46 Issue 11 Pages
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Article type: Appendix
1997 Volume 46 Issue 11 Pages
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Hiroshi Sekiya
Article type: Article
1997 Volume 46 Issue 11 Pages
1-9
Published: November 10, 1997
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Tokoku Kitamura dwells on his own particular logic of "poverty" in his well-known essay Enseishika-to-Josei. My aim is to show the historical meaning of this apparently strange idea. In spite of its title, the essay's real point is not to talk about a poet's love, but to obliquely respond to the expansionistic desire and legal procedures of his times. In other words, Tokoku strategically opposed "poverty," quite a private matter, to the political atmosphere in which the government and many democratic groups fanatically insisted upon the expansion of the national border.
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Akihiro Suzuki
Article type: Article
1997 Volume 46 Issue 11 Pages
10-20
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Shiki Masaoka turned into a "haiku" poet and started his poetical reform after his failure as a prose writer. His aim was to investigate into and find the meaning of "haiku". After a lot of trials and errors, he concluded that "haiku" was a poetical style peculiar to Japan just because it was symbolically tied with the small nature of small Japan. But again Shiki eventually failed in this attempt to define haiku. In this essay, I will psychophysically consider what this one poet's failure meant in the midst of the Sino-Japanese War.
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Kyoko Ando
Article type: Article
1997 Volume 46 Issue 11 Pages
21-33
Published: November 10, 1997
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"Girl" is one of the classifications of female sex introduced into Japanese culture in the mid-Meiji period and firmly established during the Taisho period. The process of making a subject categorized as "girl" is very important; for it offers the problems involved in the act of drawing a boundary and defining others as well as a gender question. In this essay, I will read the chapters 1 to 7 of Nobuko Yoshiya's Hana-monogatari to make it clear how "subject" was created in modern Japan and how "girl" was represented and classified.
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Shigemi Nakagawa
Article type: Article
1997 Volume 46 Issue 11 Pages
43-54
Published: November 10, 1997
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Yoriko Shono is one of those writers who are attempting bold literary experiments in present Japanese literature. Her nomadic style, especially in Ibasho-mo-nakatta and Nanimo-shitenai, enables us to realize the imaginary nature of national borders. While it is imaginary, a boundary also has the function of producing "realities" and by that means controlling our bodies and behavior. Shono's nomadism is nothing less than literary strategy to challenge it. I will consider the meaning of its transgression and hybridity.
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Article type: Appendix
1997 Volume 46 Issue 11 Pages
55-
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Akira Sato
Article type: Article
1997 Volume 46 Issue 11 Pages
56-57
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Hideo Yorozuya
Article type: Article
1997 Volume 46 Issue 11 Pages
58-62
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Article type: Appendix
1997 Volume 46 Issue 11 Pages
63-
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Article type: Appendix
1997 Volume 46 Issue 11 Pages
63-
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Yoshikazu Kobayashi
Article type: Article
1997 Volume 46 Issue 11 Pages
64-65
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Koji Tanaka
Article type: Article
1997 Volume 46 Issue 11 Pages
66-67
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Kazuaki Yamamoto
Article type: Article
1997 Volume 46 Issue 11 Pages
68-69
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Hiromitsu Takahashi
Article type: Article
1997 Volume 46 Issue 11 Pages
70-72
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Shoji Hidaka
Article type: Article
1997 Volume 46 Issue 11 Pages
73-75
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Junitsu Hamamoto
Article type: Article
1997 Volume 46 Issue 11 Pages
76-77
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Satoshi Ito
Article type: Article
1997 Volume 46 Issue 11 Pages
78-82
Published: November 10, 1997
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Koichiro Koizumi
Article type: Article
1997 Volume 46 Issue 11 Pages
83-86
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Article type: Bibliography
1997 Volume 46 Issue 11 Pages
87-88
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Article type: Bibliography
1997 Volume 46 Issue 11 Pages
88-
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Article type: Bibliography
1997 Volume 46 Issue 11 Pages
90-89
Published: November 10, 1997
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Article type: Appendix
1997 Volume 46 Issue 11 Pages
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Article type: Appendix
1997 Volume 46 Issue 11 Pages
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Article type: Cover
1997 Volume 46 Issue 11 Pages
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Published: November 10, 1997
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