In Genji-monogatari Murasaki-no-Ue is also called “Tai-no-Ue.” The appellation distinguishes her from other mistresses and refers to her special relation to Hikaru-Genji. This paper will consider the hierarchy of court ladies that is reflected in the way of calling the mistresses' names in the work.
Sōseki Natsume's novel Nowaki has been often read from an educational point of view probably because of its moralistic plot. Although the author-narrator's didactic tone certainly helps it look like a pedagogical textbook, the story actually is not about the relation between a teacher and his student but about the inevitable solitude of modern self which is represented by Takayanagi's futile attempt to escape from being alone.
This paper will focus on the contemporary reception of Kenji Miyazawa's works to show how his image as a famer-writer was posthumously constructed and established. Miyazawa was originally praised for his modern form of expression, but the turning point was when The Complete Works of Kenji Miyazawa was published immediately after his death; since then critics have come to put a more emphasis on his way of living than his style of writing. Such a shift in his portrait can be attributed to a mixture of literary and historical factors as well as to a progress in the biographical study of the writer.
The aim of this paper is to consider the communist impact made on Kōbō Abe in 1956 when he traveled to the East European countries. Especially in Czechoslovakia with his newly acquired insight to discern differences in an apparently homogeneous unit, he could discover the possibility of a new form of power structure built on a heterogeneous community completely free from ethnocentrism. The experience Abe had in his visit to East Europe thus had a great influence on his works after he recovered from the shock caused by the cruel suppression of the Hungarian Revolution in1957.