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Article type: Cover
2010 Volume 59 Issue 7 Pages
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Article type: Cover
2010 Volume 59 Issue 7 Pages
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
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Kazuaki Komine
Article type: Article
2010 Volume 59 Issue 7 Pages
2-12
Published: July 10, 2010
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In medieval literature there are several kinds of future-oriented texts such as oracles, dream tales, wills, and "okimon" manuals, all of which I want to categorize into a genre called "prophecy fiction." In prophecy fiction the future usually offers a vantage point from which to reflexively see the past and the present. In this sense they can be regarded as unique historical descriptions that dialectically connect the past, the present, and the future. Here I will also show that Konjaku-monogatari-shu and other major medieval works can be interpreted in terms of this genre that is peculiar to East Asia.
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Makoto Yamazaki
Article type: Article
2010 Volume 59 Issue 7 Pages
13-22
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This article will examine the intertextuality of Chinese writings in late ancient times. In so doing, the work of Oe-no-Tadafusa is very useful because the stylish formation of the genre is almost graphically encapsulated in it. Tadafusa, an avid reader of Chinese writings, was under the influence of Oe-no-Masahira and other writers. He also vigorously absorbed new ideas imported from China of the Five Dynasties and Ten Kingdoms Period and the Song Dynasty. Therefore in his work distinctly appears the nature of intertextuality that is characteristic of late ancient Chinese writings in general.
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Tomoko Tani
Article type: Article
2010 Volume 59 Issue 7 Pages
23-34
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There are some songs with Buddhist titles in Roppyakuban-uta-awase, a collection of waka poems that was first planned in 1192 but took several years to be completed. The traditional meaning of Buddhist titles underwent a radical change during the Insei Period and the Kamakura Period. This is why the songs of Roppyakuban-uta-awase are quite different from their earlier counterparts of the Heian Period. Such a shift is usually determined by a diachronic interaction between the past, the present, and the future. The aim of this article is thus to locate historical factors that must have caused the semantic change of religious titles in early medieval times.
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Ikuyo Matsumoto
Article type: Article
2010 Volume 59 Issue 7 Pages
35-45
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Here I will analyze the spatiality and temporality of the dream notes of which Hanazono-In took three times when he had a dream of Sugawara-no-Michizane or Kitano Tenjin. The notes show that the function of his dream was not wish fulfillment but a sort of oracle. Moreover, as his firm belief in the dream vision suggests, it was even expected to serve as a step to actually achieve something in the future. In this sense, his dream notes offer a space where some different levels of time - the present and the future - are coexistent with each other.
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Masatomo Shidachi
Article type: Article
2010 Volume 59 Issue 7 Pages
46-55
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The aim of this article is to examine the formation and background of the genealogy of the Ando clan of Akita, a local samurai family of late medieval times. Although it is very difficult to trace the precise date of its origin, the history of the clan must have started to be chronicled in the mid-fifteenth century. Indeed, it can be endorsed by their claim on Tsugaru and Akita in the chronicle, for it is at this period that the Ando clan fought against the Nanbu clan over the rule of the regions. Here I will also point out that the editorial work of the chronicle was conducted in the geographical network of Kyoto, Hagaji Temple, and Akita.
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Kazuhito Hiroki
Article type: Article
2010 Volume 59 Issue 7 Pages
56-64
Published: July 10, 2010
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It is generally believed that the style of linked verse was totally replaced by that of haiku in early modern times, but in reality it remained still dominant in the early Edo Period. Even in mid-Edo Period many books of linked verse were in print and available. In this way medieval linked verse was not dead but kept alive in early modern times. So it may be possible to regard the haiku style of Matsuo-Basho and other poets of the years of Genroku as a sort of return to linked verse after the end of the feverish haiku movement.
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
65-
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Fumito Futamura
Article type: Article
2010 Volume 59 Issue 7 Pages
66-67
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Maiko Odaira
Article type: Article
2010 Volume 59 Issue 7 Pages
68-72
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
73-
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
73-
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Masashi Nakamae
Article type: Article
2010 Volume 59 Issue 7 Pages
74-75
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Hiroshi Tanaka
Article type: Article
2010 Volume 59 Issue 7 Pages
76-77
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Yoichi Iikura
Article type: Article
2010 Volume 59 Issue 7 Pages
78-79
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Kenichi Suzuki
Article type: Article
2010 Volume 59 Issue 7 Pages
80-81
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Akira Kamiyama
Article type: Article
2010 Volume 59 Issue 7 Pages
82-83
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Minoru Tanaka
Article type: Article
2010 Volume 59 Issue 7 Pages
84-85
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Article type: Bibliography
2010 Volume 59 Issue 7 Pages
86-87
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Article type: Bibliography
2010 Volume 59 Issue 7 Pages
89-88
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
90-
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
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Article type: Appendix
2010 Volume 59 Issue 7 Pages
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Article type: Cover
2010 Volume 59 Issue 7 Pages
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