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Article type: Cover
2001 Volume 50 Issue 12 Pages
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Article type: Cover
2001 Volume 50 Issue 12 Pages
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Article type: Appendix
2001 Volume 50 Issue 12 Pages
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Article type: Appendix
2001 Volume 50 Issue 12 Pages
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Eri Nagata
Article type: Article
2001 Volume 50 Issue 12 Pages
1-9
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Honi is a concept formed in the tradition of waka poetics. It roughly means "poetical truth" or "true meaning." This essay will discuss the role of honi in the poetical theory of the Basho school generally known as the Shofu poetics. Each of the Basho school poets had a different idea about poetry, but all of them followed the basic principle of honi which they called honjo. The school's most important theme atarashimi ("newness") was also sought after in the framework of honi. Here I will discuss the relation between honi or honjo and atarasimi, focusing on the part from Kyorai-sho which defines honi as repetition.
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Hajime Kawanishi
Article type: Article
2001 Volume 50 Issue 12 Pages
10-19
Published: December 10, 2001
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Nubatama-no-maki, Ueda-Akinari's essay on allegory, is a problematic text. First there was a controversy over its authorship whether the real author was Ueda or Kamo-no-Mabuchi. Moreover, as Ueda was in a strong rivalry with Motoori-Norinaga, the text was written under the inverted influence of the latter. This is the reason the logical structure of the text is complicatedly deformed and inflected. Here I will reconstruct Ueda's original intention of Nubatama-no-maki out of its flawed logic and also find his motive for writing an essay on allegory.
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Fumiko Kobayashi
Article type: Article
2001 Volume 50 Issue 12 Pages
20-30
Published: December 10, 2001
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Chie-no-Naishi is a woman poet who specialized in satirical verse called kyoka or kyobun. Although her style and vocabulary are regarded as "feminine" like those of other women writers, her femininity seems more outstandingly artificial. Such excessive mannerism is probably related to her consciousness of a rigid distinction which lied between a regular poet and an unorthodox woman satirist. The point of this essay is to consider the artificial nature of Chie-no-Naishi's writings in relation to the literary trend of the age as well as the influence of the Dojo group of the Uchiyama-Gatei-juku school on whose tenmei-kyoka her work was modelled.
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Seiji Konita
Article type: Article
2001 Volume 50 Issue 12 Pages
31-39
Published: December 10, 2001
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The genre called "documentaries" was very popular in the Edo Period, but since the Meiji Period it has been regarded not as historical documents but as fiction. There is, however, one great difference between fiction and the documentaries. While the former is usually written by a particular author with his or her own signature, in the latter's case there was no author in its strict sense because they were reworked again and again by several different writers. In other words, while in fiction the experience of reading is personal on the basis of the relationship between author and reader, the documentaries were circulated, read, interpreted, and rewritten in the community. The aim of this essay is to consider the anonymous and open nature of the documentaries as well as to delineate the background in which those old handwritten texts enjoyed a great popularity in the age of almost completed printing technology.
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Shigemi Takahashi
Article type: Article
2001 Volume 50 Issue 12 Pages
40-51
Published: December 10, 2001
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Tuyuwake-goromo, one of Toshiko Tamura's earlier works published under the pseudonym of Sato Roei, has been reputed to be a second-rate Ichiyo Higuchi because of its classical style. But there are some differences between the two writers. The greatest of them is a textual configuration. While Higuchi's writing followed after the oral tradition of the Edo Period, Tuyuwake-goromo was more visually composed. In short, Tuyuwake-goromo is a text not so much for hearing as for reading. This is evident in Tamura's use of ample typographical spacing and her peculiar punctuation. The difference also indicates the historical transition from oral to written literature.
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Hiroyuki Chida
Article type: Article
2001 Volume 50 Issue 12 Pages
52-53
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Senri Sugai
Article type: Article
2001 Volume 50 Issue 12 Pages
54-59
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Tomoya Saito
Article type: Article
2001 Volume 50 Issue 12 Pages
60-61
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Norio Matsumoto
Article type: Article
2001 Volume 50 Issue 12 Pages
62-66
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Ken Takeku
Article type: Article
2001 Volume 50 Issue 12 Pages
67-69
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Osamu Kigoshi
Article type: Article
2001 Volume 50 Issue 12 Pages
70-71
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Shoko Ichikawa
Article type: Article
2001 Volume 50 Issue 12 Pages
72-73
Published: December 10, 2001
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Izumi Sato
Article type: Article
2001 Volume 50 Issue 12 Pages
74-75
Published: December 10, 2001
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Hirotaka Nanba
Article type: Article
2001 Volume 50 Issue 12 Pages
76-77
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Article type: Bibliography
2001 Volume 50 Issue 12 Pages
82-83
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Article type: Bibliography
2001 Volume 50 Issue 12 Pages
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Article type: Bibliography
2001 Volume 50 Issue 12 Pages
86-85
Published: December 10, 2001
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Article type: Appendix
2001 Volume 50 Issue 12 Pages
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Published: December 10, 2001
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Article type: Appendix
2001 Volume 50 Issue 12 Pages
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Article type: Cover
2001 Volume 50 Issue 12 Pages
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Published: December 10, 2001
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