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Article type: Cover
2008 Volume 57 Issue 4 Pages
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Article type: Cover
2008 Volume 57 Issue 4 Pages
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Article type: Appendix
2008 Volume 57 Issue 4 Pages
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Article type: Appendix
2008 Volume 57 Issue 4 Pages
1-
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Tomoyuki Matsuoka
Article type: Article
2008 Volume 57 Issue 4 Pages
2-11
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The plot of Sennen-no-shijima, Akiko Moriya's mystery novel, is constructed on an old hypothesis which had been influential in the field of classical studies until the mid-twentieth century. The hypothesis is that originally in Genji-monogatari there was a volume called "Kakayakuhi-no-miya" that is now completely lost. The author first knew it through the work of Shin Ono, a scholar of classical literature. Later when she read the study of the lost volume Keijiro Kazamaki published in 1951, she was so much impressed with it that she used it for her story. Maybe Moriya found that Kazamaki's method of demonstration was much like that of reasoning in a detective story. Now the hypothesis is disregarded as unfounded, but it is its fictitious nature that inspired Moriya to write the novel. Moreover, I believe, it is imaginative enough to open out other possibilities of studies on classical literature.
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Maiko Odaira
Article type: Article
2008 Volume 57 Issue 4 Pages
12-23
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In "Joseito," a story roughly based on Shizu Ariake's diary, Osamu Dazai represented women in the two types; an innocent girl and an irrational woman. Needless to say, the former was an ideal type to him while the latter came from his image of actual women. When Yasunari Kawabata highly praised Dazai for the story, he was engaged in a sort of editorial work in Shin-joen and other women's magazines. In his editorial policy those magazines featured articles about women's role in wartime which more or less reflected Kawabata's sexism. Just like "women" represented by the male writers, women's writings themselves were called for, defined as marginal, and repressed to revitalize male-centered literature in the time of crisis.
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Mari Kotani
Article type: Article
2008 Volume 57 Issue 4 Pages
24-34
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Rugged Girl is one of the "Angel in the Ruins" series by Hirotaka Tobi. The setting of the story is a junked virtual world, a sort of cyberspace that is made up from data on the real world imperfectly processed by artificial intelligence. Kei Yasukata, a main character called the rugged girl, has a special body which can accumulate and preserve data. Her body, itself a reservoir of experiences and memories, suggests problems concerning gender, sexuality, and social relations. Indeed, the story has much in common with James Tiptree, Jr.'s pioneering cyberpunk story "The Girl Who Was Plugged in" which is also filled with topics such as female body and sexuality, physical ugliness, violence, and lesbianism. Here I will reconsider those female problems while comparing the post-cyberpunk text with the early cyberpunk text.
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Article type: Appendix
2008 Volume 57 Issue 4 Pages
35-
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Article type: Appendix
2008 Volume 57 Issue 4 Pages
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Takashi Okabe
Article type: Article
2008 Volume 57 Issue 4 Pages
36-37
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Akio Kaneko
Article type: Article
2008 Volume 57 Issue 4 Pages
38-39
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Yoichi Hijikata
Article type: Article
2008 Volume 57 Issue 4 Pages
40-41
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Taku Miura
Article type: Article
2008 Volume 57 Issue 4 Pages
42-43
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Yasuko Mishina
Article type: Article
2008 Volume 57 Issue 4 Pages
44-45
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Takako Tanaka
Article type: Article
2008 Volume 57 Issue 4 Pages
46-53
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The modern study of classical literature has been conducted within the framework of the nation-state. But now in the age of globalization, we students of classical literature must make every effort to free it from such political restraint. We must find a way to keep it alive without any ideological background like a dried cod without the backbone. One of our duties, for instance, is to make classical literature more familiar to lay readers. In this article I will think what we can do for a wider readership of classical works while taking into account difficulties in making a translation of them into modern Japanese.
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Shinichi Murata
Article type: Article
2008 Volume 57 Issue 4 Pages
54-65
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The discourses of Hachiman-usagu-gotakusen-shu, an annotated collection of oracles received at the Hachiman-usagu Shrine, are constructed on faith in the "yugen" (esoteric profoundness) of Hachiman-daibosatsu, one of the greatest Buddhist saints. In the medieval time, as this instance shows, the concept of "yugen" was not restricted to art and literature but applied to religion. It also served as a religious philosophy to endorse the genuineness of oracles.
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Masami Tadenuma
Article type: Article
2008 Volume 57 Issue 4 Pages
66-69
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Koichiro Sukegawa
Article type: Article
2008 Volume 57 Issue 4 Pages
70-73
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Nobukazu Watanabe
Article type: Article
2008 Volume 57 Issue 4 Pages
74-75
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Kyoko Oki
Article type: Article
2008 Volume 57 Issue 4 Pages
76-77
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Moritaro Hama
Article type: Article
2008 Volume 57 Issue 4 Pages
78-79
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Hideki Fujiwara
Article type: Article
2008 Volume 57 Issue 4 Pages
80-81
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Teru Shimamura
Article type: Article
2008 Volume 57 Issue 4 Pages
82-83
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Syoji Shibata
Article type: Article
2008 Volume 57 Issue 4 Pages
84-85
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Article type: Bibliography
2008 Volume 57 Issue 4 Pages
86-87
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Article type: Appendix
2008 Volume 57 Issue 4 Pages
88-
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Article type: Bibliography
2008 Volume 57 Issue 4 Pages
90-89
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Article type: Index
2008 Volume 57 Issue 4 Pages
91-
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Article type: Index
2008 Volume 57 Issue 4 Pages
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Article type: Appendix
2008 Volume 57 Issue 4 Pages
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Article type: Appendix
2008 Volume 57 Issue 4 Pages
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Article type: Appendix
2008 Volume 57 Issue 4 Pages
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Article type: Cover
2008 Volume 57 Issue 4 Pages
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