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Article type: Cover
1998 Volume 47 Issue 1 Pages
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Article type: Cover
1998 Volume 47 Issue 1 Pages
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Article type: Appendix
1998 Volume 47 Issue 1 Pages
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Article type: Appendix
1998 Volume 47 Issue 1 Pages
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Akemi Shimizu
Article type: Article
1998 Volume 47 Issue 1 Pages
1-9
Published: January 10, 1998
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There are only three cases in Manyoshu - those of Otomo-no-Yakamochi and Kakinomoto-no-Hitomaro - in which the word "omoi-shitau" (longing for someone) appears. This simple, but in a sense peculiar, compound word, however, gives clue to the question of how Chinese words were assimilated into Japanese poetical terms. Moreover, the two poets use "omoi-shitau" quite differently from each other, which indicates the difference between them in the way of understanding Chinese language. In this light, I will focus on Yakamochi's poem (no. 4011).
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Sumiko Inui
Article type: Article
1998 Volume 47 Issue 1 Pages
10-17
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Only two incomplete versions of the story called Yoru-no-nezame have been found; one is the original written in the Heian Period, the other its adaptation of the Kamakura Period. Although an adaptation is often regarded as unimportant and secondary in its literary value, the adapted version of Yoru-no-nezame is far from inferior to the original. Here I will treat the later version as an independent work, pointing out how it is different from the original text.
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Kazuaki Komine
Article type: Article
1998 Volume 47 Issue 1 Pages
18-28
Published: January 10, 1998
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The point of this essay is to investigate the significance of mimesis in Middle Ages literature and paintings. The topics that will be argued here are these; imitating and assimilating function of writing, development of stylization represented by the style of Fujiwara-no-Teika, authenticity and mimetic imagination of forged documents and bogus literary texts, mimesis in realistic painting, revaluation of copying in picture books, contradiction between oral and written languages in storytelling, the function of parody which turns its object to its own use while seemingly imitating it, and so on.
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Kiyoshi Futakawa
Article type: Article
1998 Volume 47 Issue 1 Pages
29-37
Published: January 10, 1998
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Tsuruya-Nanboku the Fourth, a "kyogen" playwright of the Edo Period, seems to have consciously imitated Chikamatsu-Hanji, a "joruri" playwright, especially in his spectacular and fantastic style. But he did so in more than one way; it ranges from simple copying as in Tenjiku-Tokubei-ikokubanashi to considerable modification of the original as in Kin-no-sai-sarushima-dairi. Nanboku's four texts will be read here in the light of different forms of mimesis.
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Satoshi Ishigami
Article type: Article
1998 Volume 47 Issue 1 Pages
38-46
Published: January 10, 1998
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Shikitei-Sanba repeatedly said that he had been much owed to Furai-sanjin (Hiraga-Gennai). Indeed, this is apparent everywhere in Sanba's works. It is in his literary style that, as his humorous stories show, Sanba was most influenced by his predecessor. In this essay, I will consider the humorist's style in terms of imitation or mimesis and his key-word "pretension".
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Hiromitsu Takahashi
Article type: Article
1998 Volume 47 Issue 1 Pages
47-57
Published: January 10, 1998
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Hashi-zukushi is the text which consists of such rich sources as a number puzzle, a festival in Okinawa, classical works and so on. Studying them carefully would show not only the author's power of imagination to synthesize apparently different images but also the text's own mimetic structure. In a sense, the text itself is mimetically structured, because a miniature of the whole text is registerd in itself in a mise en abyme fashion. In this essay I will consider the meaning and power of this mimetic structure.
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Etsuo Adachi
Article type: Article
1998 Volume 47 Issue 1 Pages
58-66
Published: January 10, 1998
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Such various poetical experiments as quotation, adaptation and imitation had been energetically made in the 1970s mainly by Yasuo Irisawa, Taro Naka, and Makoto Ooka. Above all, it seems to me, Irisawa tried to radically challenge the assumption of poetics itself, i.e., self-contained individualism. Thus my aim is to make clear his role as a modern poet especially in terms of his method of mimesis.
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Article type: Appendix
1998 Volume 47 Issue 1 Pages
67-
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Kiyoshi Komori
Article type: Article
1998 Volume 47 Issue 1 Pages
68-69
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Toru Ishiwari
Article type: Article
1998 Volume 47 Issue 1 Pages
76-77
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Tsuneo Kageyama
Article type: Article
1998 Volume 47 Issue 1 Pages
78-79
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Masataka Kato
Article type: Article
1998 Volume 47 Issue 1 Pages
80-82
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Article type: Bibliography
1998 Volume 47 Issue 1 Pages
83-84
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Article type: Bibliography
1998 Volume 47 Issue 1 Pages
84-
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Article type: Bibliography
1998 Volume 47 Issue 1 Pages
87-85
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Article type: Bibliography
1998 Volume 47 Issue 1 Pages
85-
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Article type: Appendix
1998 Volume 47 Issue 1 Pages
88-
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Article type: Appendix
1998 Volume 47 Issue 1 Pages
88-
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Article type: Appendix
1998 Volume 47 Issue 1 Pages
App3-
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Article type: Cover
1998 Volume 47 Issue 1 Pages
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