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Article type: Cover
2007 Volume 56 Issue 9 Pages
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Article type: Cover
2007 Volume 56 Issue 9 Pages
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Article type: Appendix
2007 Volume 56 Issue 9 Pages
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Article type: Appendix
2007 Volume 56 Issue 9 Pages
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Susumu Togashi
Article type: Article
2007 Volume 56 Issue 9 Pages
1-11
Published: September 10, 2007
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In Fujishi-kaden, Fujiwara-no-Nakamaro writes about what he thinks an ideal master-vassal relationship. In his definition, the ability to share grand vision is an important factor that works to reinforce ties between master and man. Among others the loyalty of Fujiwara-no-Kamatari to Nakano-Oeno-Oji, he says, is most exemplary, for it serves as a model for the general relationship between the Imperial Family and the Fujiwaras. In this way the tradition of loyalty, ranging from Kamatari through Muchimaro to the author himself, is invented precisely in order to prove the stability of the Fujiwaras.
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Miho Azuma
Article type: Article
2007 Volume 56 Issue 9 Pages
12-22
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The concept of a salon is often applied to studies of Makura-no-sdshi. The salon is a gathering of intellectual people in Europe to improve their taste and knowledge through conversation about literature, philosophy, and other sophisticated topics. There conversation is so interactive and dynamic that language itself is open to re-formation. In Makura-no-sushi, too, one can find the dynamism of linguistic formation, dismemberment, and transformation in conversations among the characters. Such an interactive movement of logos is most clearly seen in the two parts of the story, "Kotono-no-onpuku-no-koro" and "Sato-ni-makadetaruni."
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Yukiyo Yuasa
Article type: Article
2007 Volume 56 Issue 9 Pages
23-30
Published: September 10, 2007
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There is a controversial scene in Genji-nionogatari where Suzaku-In in his imperial visit told Hikaru-Genji to take off his "kazashi" ornament of maple and instead gave him another ornament of chrysanthemum, enigmatically saying "Its color never fades." What does this act mean? What is the difference between chrysanthemum and maple? To make clear what the scene means, here I will examine the significance of chrysanthemum as well as that of maple in several other poems. In a symbolic contrast between the two plants, chrysanthemum represents the blessing of the Emperor Kiritsubo.
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Takafumi Nakamaru
Article type: Article
2007 Volume 56 Issue 9 Pages
31-42
Published: September 10, 2007
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Gonijo-Moromichi-ki by Fujiwara-no-Moromichi is a good instance for an analysis of the process in which a diary written in Chinese was composed and formed. There are the two versions of the diary for the three years between the third year of the Eiho Period and the second year of the Outoku Period. This is because a diary in itself has no final edition; it is kept in such everchanging daily situations that it must be subject to incessant additions and revisions. As Gonijo-Moromichi-ki was left unfinished due to the author's unexpected death, one can observe the way of such editorial work characteristic of a diary.
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Katsunori Noji
Article type: Article
2007 Volume 56 Issue 9 Pages
43-52
Published: September 10, 2007
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In "Koro-wo-nusumu," Saisei Murou depicted a morbid state of mind of a woman whose jealousy makes her suffer from visual and auditory hallucinations. When the story was published in 1921, Saisei was reputed to be a "writer of abnormal sexuality." But his interest in perversion was more comprehensive. As the story shows, he studied it psychologically as well as sexually. In his method and sense of representing psychological perversion, Saisei was more original, modern, and pioneering than other contemporary writers.
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Mizuho Takeuchi
Article type: Article
2007 Volume 56 Issue 9 Pages
53-64
Published: September 10, 2007
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Many writers of the Taisho Period treated the theme of perversion in the light of the study of genius that was then popular. In so doing, they tried to construct the privileged image of their own, that the "artist as genius aloof from others." However innocent and self-complacent it seems, their self-definition must be understood in the context of the rise of the masses in the age. It was a reaction to symbolically maintain their position in burgeoning mass society.
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Article type: Appendix
2007 Volume 56 Issue 9 Pages
65-
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Kumiko Tabuchi
Article type: Article
2007 Volume 56 Issue 9 Pages
66-67
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Akiko Ishizaka
Article type: Article
2007 Volume 56 Issue 9 Pages
68-71
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Rie Kaneoka
Article type: Article
2007 Volume 56 Issue 9 Pages
72-73
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Daisuke Higuchi
Article type: Article
2007 Volume 56 Issue 9 Pages
74-76
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Article type: Appendix
2007 Volume 56 Issue 9 Pages
77-
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Article type: Appendix
2007 Volume 56 Issue 9 Pages
77-
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Akira Kuroda
Article type: Article
2007 Volume 56 Issue 9 Pages
78-79
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Seiko Azuma
Article type: Article
2007 Volume 56 Issue 9 Pages
80-81
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Kinya Sugiyama
Article type: Article
2007 Volume 56 Issue 9 Pages
82-83
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Kazuhiko Yokote
Article type: Article
2007 Volume 56 Issue 9 Pages
84-85
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Article type: Bibliography
2007 Volume 56 Issue 9 Pages
86-87
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Article type: Bibliography
2007 Volume 56 Issue 9 Pages
88-
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Article type: Bibliography
2007 Volume 56 Issue 9 Pages
90-89
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Article type: Appendix
2007 Volume 56 Issue 9 Pages
App3-
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Article type: Appendix
2007 Volume 56 Issue 9 Pages
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Article type: Cover
2007 Volume 56 Issue 9 Pages
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Published: September 10, 2007
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