Aesthetics

Aesthetics

Online ISSN : 2424-1164
Print ISSN : 0520-0962
ISSN-L : 0520-0962

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Volume 10, Issue 2

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[title in Japanese]

Article type: Cover
1959 Volume 10 Issue 2 Pages Cover1-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_Cover1

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[title in Japanese]

Article type: Cover
1959 Volume 10 Issue 2 Pages Cover2-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_Cover2

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The Logic of Influence

Juzo Ueda

Article type: Article
1959 Volume 10 Issue 2 Pages 1-12
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_1

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Differentiation expects unification. If two things can be differentiated each other, it is because each of them has its proper basic structure meaning. Meaning must be its meaning forever. A meaning, which assumes the form of one thing, must necessarily assume another form. Following after this logic, there are innumerable things that are unified into one meaning. The fact of influence in the art history is brought into existence under this circumstances. The existence of one thing expects that of another thing. There is basically the sequence of time in this connection. When a painter, secing the work of another painter, learns his style, it is said that there is a fact of influence. In this case two conditions must be satisfied. First, to confirm from records that be saw the work of his predecessor. Second, to recognize that his predecessor's style is transmitted to his painting. It shows the influenced style but is quite different one, unless it is merely a copy. It is newly created one as well as inherited. This means a progress of the sight which has appeared in the form of the artistic style of the predecessor's work. This is the logic of influence.

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Problem of Space in the Painting : Perspective in Ancient Painting

Yoshiaki Inui

Article type: Article
1959 Volume 10 Issue 2 Pages 48-62
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_48

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Representation of the three dimensional space on the plane is an attractive, but difficult subject for many painters of all the ages. It seems that the linear perspective, devised by Quattrocento architects and painters in Italy, is the most exact and popular method of spatial representation. But there are other ways to depict the illusion of space in the picture. Roman landscape paintings, for example, show an atmospheric pictorial space. If we classify the representation of the space into three types that is, one on the retina by the function of eyes (visio perspectiva), on the plane by the linear perspective (scientia perspectiva) and on the canvas by the creative painters (ars perspectiva)-ancient style of the spatial representation corresponds the type of visio perspectiva. It is, of course, a characteristic style in art history, but has possibility to develope in two ways, one to the linear method of perspective of Renaissance, the other to the uncontinuous ideal space of Middle Ages, especially Byzantine and Romanesque paintings.

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[title in Japanese]

Article type: Appendix
1959 Volume 10 Issue 2 Pages 62-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_62

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[title in Japanese]

I. Toshimitsu

Article type: Article
1959 Volume 10 Issue 2 Pages 63-66
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_63

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[title in Japanese]

Article type: Appendix
1959 Volume 10 Issue 2 Pages 67-74
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_67

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[title in Japanese]

Article type: Appendix
1959 Volume 10 Issue 2 Pages 75-78
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_75

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[title in Japanese]

Article type: Article
1959 Volume 10 Issue 2 Pages 79-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_79_1

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[title in Japanese]

Article type: Article
1959 Volume 10 Issue 2 Pages 79-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_79_2

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[title in Japanese]

H. Kawano

Article type: Article
1959 Volume 10 Issue 2 Pages 79-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_79_3

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[title in Japanese]

Article type: Appendix
1959 Volume 10 Issue 2 Pages 80-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_80_1

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[title in Japanese]

Article type: Appendix
1959 Volume 10 Issue 2 Pages 80-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_80_2

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[title in Japanese]

Article type: Appendix
1959 Volume 10 Issue 2 Pages 80-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_80_3

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[title in Japanese]

Article type: Appendix
1959 Volume 10 Issue 2 Pages 80-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_80_4

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[title in Japanese]

Article type: Bibliography
1959 Volume 10 Issue 2 Pages Misc1-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_Misc1

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[title in Japanese]

Article type: Bibliography
1959 Volume 10 Issue 2 Pages Misc2-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_Misc2

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[title in Japanese]

Article type: Cover
1959 Volume 10 Issue 2 Pages Cover3-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_Cover3

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[title in Japanese]

Article type: Cover
1959 Volume 10 Issue 2 Pages Cover4-
Published: September 30, 1959
Released on J-STAGE: May 22, 2017

DOIhttps://doi.org/10.20631/bigaku.10.2_Cover4

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