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Article type: Cover
1988 Volume 39 Issue 3 Pages
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Published: December 31, 1988
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Article type: Cover
1988 Volume 39 Issue 3 Pages
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Published: December 31, 1988
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Tetsuhiro KATO
Article type: Article
1988 Volume 39 Issue 3 Pages
1-12
Published: December 31, 1988
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Gombrich gets much attention from aestheticians for his linguistic approach to imagery. According to him, pictures are "read" rather than merely seen, because a picture is not a natural sign which transmits a copy of nature to the innocent eye, but a conventional sign whose "making" is shaped by its cultural frame of reference. Therefore, beholders of a painting must always interpret it by projecting and correcting their own imagination as a schema. And so, historians of art, whose task is to determine the one true meaning of a picture, must also try to verify (or more precisely falsify) their hypotheses to get near to the historical reality. I quite agree with him in admitting that picture reading is indispensable especially for the professional interpreter of art. We must take special care not to get into the danger of mystifying the image. But does this necessity of reading really guarantee the possibility of complete rationalisation of the image? So, my aim in this article is to make clear the limits of the linguistic approach to the visual image by pointing out the ideological background on which Gombrich's theory of image and image interpretation is based.
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Ichiro TAKI
Article type: Article
1988 Volume 39 Issue 3 Pages
13-24
Published: December 31, 1988
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Bergson n'a pas ecrit son esthetique, mais nous pouvons reconstituer l'esthetique bergsonienne en termes de l'intuition, parce que le bergsonisme nous semble inspire de l'art, et que l'art et la philosophie se rejoignent chez Bergson dans l'intuition qui est leur base commune. L'intuition philosophique ou metaphysique peut etre consideree epistemologiquement comme conscience simple dans la sympathie avant la division entre le sujet et l'objet, et ontologiquement comme coincidence de la conversion (επιστροφη) avec la procession (προοδο〓). L'intuition artistique ou esthetique prossede la meme structure : elle fait naitre l'emotion creatrice dans laquelle la contemplation n'est plus autre chose que la creation. Or R. Bayer soutient que la passivite et la contemplation, ou reside, a son avis, l'esthetique bergsonienne, constituent une esthetique negative, contradictoire a la quintessence de ce phenomene producteur qui est l'art. Il meconnait ainsi le caractere essentiellement actif de l'intuition. Selon nous, le mecanisme de la production artistique, qui consiste a materialiser l'emotion de l'artiste en sons ou en couleurs, ne serait eclaire que par une dialectique entre la creation, oeuvre de l'intuition allant du tout aux parties, et la fabrication, oeuvre de l'intelligence allant du partie au tout. La notion de l'intuition peut donc nous donner, en dehors des suggestions qu'elle peut apporter sur l'interpretation des oeuvres d'art, une clef a ouvrir le mystere de la creation artistique.
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Atsuo YASUDA
Article type: Article
1988 Volume 39 Issue 3 Pages
25-37
Published: December 31, 1988
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The Style of old scroll paintings that Sotatsu used as a model for his figures, including the case of "Sekiya-Miotsukushi" screens, is "classical", in respect to the knowledge of Yamato-e in the early Edo period. Sotatsu picked out the most "classical" form from the many traditions surrounding him. In the case of the "Sekiya-Miotsukushi" screens, Sotatsu took "classical" scroll paintings as a model for his figures, but, on the other hand, he composed this work in a very unique style, which had never been seen before in any other figures including old scroll paintings, disregarding the fixed pattern of "Genji-e" which was standard in that time. For example, he used no golden-clouds (Kin-un) and showed the full scene, ordered the figures and landscape along the diagonal of each screen, limited the number of colors by omitting high-bright ones and unified the whole picture with color. Therefore, he was also unique in the problem of tradition and creativity. Though he selected the most "classical" of the many traditions surrounding him, he did not copy it, but he digested it fully and used it in his original style. This unique relation between tradition and creativity in the work of Sotatsu would be thought to be a result of the influence of Honami Koetsu.
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Tamio KANEDA
Article type: Article
1988 Volume 39 Issue 3 Pages
40-
Published: December 31, 1988
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Toshiyuki MATSUZAKI
Article type: Article
1988 Volume 39 Issue 3 Pages
41-
Published: December 31, 1988
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Shinichi ANZAI
Article type: Article
1988 Volume 39 Issue 3 Pages
42-
Published: December 31, 1988
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Takashi MASUNARI
Article type: Article
1988 Volume 39 Issue 3 Pages
43-
Published: December 31, 1988
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Haruki YOSHIDA
Article type: Article
1988 Volume 39 Issue 3 Pages
44-
Published: December 31, 1988
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Shiro UEZONO
Article type: Article
1988 Volume 39 Issue 3 Pages
46-
Published: December 31, 1988
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Toshio CHIHAYA
Article type: Article
1988 Volume 39 Issue 3 Pages
48-
Published: December 31, 1988
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Tsukasa KODERA
Article type: Article
1988 Volume 39 Issue 3 Pages
49-
Published: December 31, 1988
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Naohiro KIMURA
Article type: Article
1988 Volume 39 Issue 3 Pages
51-
Published: December 31, 1988
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Ichiro SUMIKURA
Article type: Article
1988 Volume 39 Issue 3 Pages
52-
Published: December 31, 1988
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Kenichi YOSHIMURA
Article type: Article
1988 Volume 39 Issue 3 Pages
53-
Published: December 31, 1988
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Yuichi MASUDA
Article type: Article
1988 Volume 39 Issue 3 Pages
56-
Published: December 31, 1988
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Toru YABU
Article type: Article
1988 Volume 39 Issue 3 Pages
57-
Published: December 31, 1988
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Kenichi SASAKI
Article type: Article
1988 Volume 39 Issue 3 Pages
58-
Published: December 31, 1988
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Tatsuo FUKUDA
Article type: Article
1988 Volume 39 Issue 3 Pages
59-
Published: December 31, 1988
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Daitsu SATAKE
Article type: Article
1988 Volume 39 Issue 3 Pages
60-65
Published: December 31, 1988
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Takehiko TOZU
Article type: Article
1988 Volume 39 Issue 3 Pages
65-71
Published: December 31, 1988
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Nobuyuki KOBAYASHI
Article type: Article
1988 Volume 39 Issue 3 Pages
71-76
Published: December 31, 1988
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Article type: Appendix
1988 Volume 39 Issue 3 Pages
77-78
Published: December 31, 1988
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Article type: Appendix
1988 Volume 39 Issue 3 Pages
78-
Published: December 31, 1988
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Article type: Appendix
1988 Volume 39 Issue 3 Pages
78-
Published: December 31, 1988
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Article type: Appendix
1988 Volume 39 Issue 3 Pages
79-
Published: December 31, 1988
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Article type: Appendix
1988 Volume 39 Issue 3 Pages
79-
Published: December 31, 1988
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Article type: Bibliography
1988 Volume 39 Issue 3 Pages
80-
Published: December 31, 1988
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Article type: Bibliography
1988 Volume 39 Issue 3 Pages
80-
Published: December 31, 1988
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Article type: Bibliography
1988 Volume 39 Issue 3 Pages
Misc1-
Published: December 31, 1988
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Article type: Cover
1988 Volume 39 Issue 3 Pages
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Published: December 31, 1988
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Article type: Cover
1988 Volume 39 Issue 3 Pages
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Published: December 31, 1988
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