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Article type: Cover
1959 Volume 10 Issue 3 Pages
Cover1-
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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Article type: Cover
1959 Volume 10 Issue 3 Pages
Cover2-
Published: December 30, 1959
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Hiroe Nitta
Article type: Article
1959 Volume 10 Issue 3 Pages
8-11
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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It goes without saying that we need always some succession of time in order to create a work of art. In painting, for example, we draw a picture step by step driving the color-brushes, and not in an instant. The whole work cannot come into existence at one stroke. It is the product of a gradual, successive, and advancing process. But, what sort of time runs in this process? How is it possible to travel from one touch of color-brush to another? The author tried, in this article, to make clear the time-structure of the artistic creation, and to grasp the work of art in its dynamic aspect.
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Hatsuhiko Gah
Article type: Article
1959 Volume 10 Issue 3 Pages
11-12
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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In the contemporary society, people get informations more and more dominantly through channels of mass communication media, and we notice the marked increase of the emotional appealing techniques, among which the artistic expressions are going to be more important. Naturally, in this context, the character of the mass art or the public art is supposed to have some influences or the people as for the appreciation of the so-called pure art e. g. theatre, literature and fine arts. An artist, who is conscious of the contemporary appreciators, will himself reveal the characteristics of mass communication media ; and that is the another phase of mass appreciation under the same influence.
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Eiichi Takahashi
Article type: Article
1959 Volume 10 Issue 3 Pages
21-24
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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Many factors acted upon the formation of peculiar draperies with which Romanesque sculptures demonstrate their characteristic schematism. It has been attempted in my research to explain the formation of some of these draperies which seem to have derived their models from the traditional formulae of the Beatus illustration, to classify them into several types, and to follow the development of their forms.
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Hajime Kitane
Article type: Article
1959 Volume 10 Issue 3 Pages
28-32
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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The modern industrial design established before or after 1930. Because it is the period that the modern economy denying Adam Smith's economic theory made a big turn, the modern society (mass-society, mass-democracy, mass-communication) was organized, and the modern material and technology made rapid progress. Therefore, in order to make the modern economy a reality, we can not help recognizing the industrial and advertising design, that is, the economic design. And so the design section must be equivalent to other sections (economic, technical, scientific, and social secitons) of a productive enterprise or a state. Such a modern industrial design is no longer an applied art but has the principle of standardization that is found incooperation with the other sections and in the socio-psychological space and time.
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Ko Tanimura
Article type: Article
1959 Volume 10 Issue 3 Pages
35-38
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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From the view-point of "autonomische Musikasthetik", the ethos-theory of ancient Greek is not always right. But it seems that the aesthetical value of music has any kind of relation to the ethical value particularly in the "polis" of ancient Greek. For the consideration of this problem, it is not enough to reflect upon the correlation between work, sound and musician. Moreover we must think over the audience. Thus we can make clear the ethos-problem not only aesthetically but also sociologically. We should like to contemplate this essential problem by finding out the ancient Grecian music as an ideal image.
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Motoo Kobatake
Article type: Article
1959 Volume 10 Issue 3 Pages
45-47
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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Ibsen eliminates almost all soliloquies from his later plays except some short, broken utterances. But, how does he convey to the audience thought which should form part of soliloquies? He employs a number of means, among which the most important are some peculiar kinds of dialogue and stage directions or visual suggestions. Ibsen's later plays may be perfect from the technical point of view, yet they cannot give us the pure beauty and depth of tragedy which are often discovered in the Elizabethan plays. The age of 'the modern drama' represented by Ibsen is over, and a new different type of drama which accepts openly some convention such as soliloquy or chorus is now expected to come.
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[in Japanese]
Article type: Article
1959 Volume 10 Issue 3 Pages
48-50
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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[in Japanese]
Article type: Article
1959 Volume 10 Issue 3 Pages
52-53
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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[in Japanese]
Article type: Article
1959 Volume 10 Issue 3 Pages
54-55
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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Article type: Appendix
1959 Volume 10 Issue 3 Pages
56-
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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H. Kawano
Article type: Article
1959 Volume 10 Issue 3 Pages
57-60
Published: December 30, 1959
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Article type: Bibliography
1959 Volume 10 Issue 3 Pages
61-65
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
67-66
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
67-
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
68-67
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
68-
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
69-68
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
69-
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
70-69
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
70-
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
70-
Published: December 30, 1959
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B. Ebisawa
Article type: Article
1959 Volume 10 Issue 3 Pages
71-
Published: December 30, 1959
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I. Toshimitsu
Article type: Article
1959 Volume 10 Issue 3 Pages
72-71
Published: December 30, 1959
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Y. Hosoi
Article type: Article
1959 Volume 10 Issue 3 Pages
72-
Published: December 30, 1959
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Y. Hosoi
Article type: Article
1959 Volume 10 Issue 3 Pages
73-72
Published: December 30, 1959
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I. Toshimitsu
Article type: Article
1959 Volume 10 Issue 3 Pages
77-
Published: December 30, 1959
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Article type: Appendix
1959 Volume 10 Issue 3 Pages
78-
Published: December 30, 1959
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Article type: Appendix
1959 Volume 10 Issue 3 Pages
78-
Published: December 30, 1959
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Article type: Appendix
1959 Volume 10 Issue 3 Pages
78-
Published: December 30, 1959
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Article type: Appendix
1959 Volume 10 Issue 3 Pages
78-
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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Article type: Bibliography
1959 Volume 10 Issue 3 Pages
79-
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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Article type: Cover
1959 Volume 10 Issue 3 Pages
Cover3-
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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Article type: Cover
1959 Volume 10 Issue 3 Pages
Cover4-
Published: December 30, 1959
Released on J-STAGE: May 22, 2017
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