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1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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Article type: Appendix
1998 Volume 49 Issue 3 Pages
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Junko NAGANO
Article type: Article
1998 Volume 49 Issue 3 Pages
1-12
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In Mary Shelley's novel Frankenstein (1818) one finds numerous instances of the 'sublime', the 'beautiful' and the 'picturesque'-all established aesthetic categories of eighteenth-century Britain. For the most part, these concepts tend to be cliche and highly ornamental, as is typical in most Gothic novels. The 'sublime' can be seen in Victor Frankenstein's heroic boldness of scientific experiment as well as in the grandeur of the mountaneous scenery of the Alps. They are both sublime and masculine, while the ugliness of the 'creature' gives a negative impression of sublimity with its strong terror. The story itself takes the form of letters addressed to Margaret, who is absent from the drama and who may thus subvert its apparent meaning through her female sensibility. One can also interpret the 'creature' as a collective image of unnamed Others within Victor himself, which could in turn be projected upon real savages, oriental people, the infamous mobs of the French Revolution or a co rporeal subject of 'unmanly' (i.e. effeminate) taste. Here the 'aesthetic' in general, together with its principle of 'disinterestedness' or 'standard of taste', reveals its immanent differentiation and exclusion through the distortion and monstrosity of its own mirror image.
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Setsuko IGARASHI
Article type: Article
1998 Volume 49 Issue 3 Pages
13-24
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Die Rosenkranzbruderschaft wurde durch Sprenger 1475 in Koln mit der Hilfe des Kaisers und des Papstes gegrundet. Sie erfreute sich schnell eines starken Mitgliederzuwaches. Solche Vereinigungen bestanden zu Ende des 15. Jahrhunderts auch schon in Nurnberg. Die Mitglieder pflegten alle Tage ein Rosenkranzgebet zu ihrem und der Mitbruder und -schwestern Heil zu beten und zu sprechen. Der Engelsgruss von Stoss hangt frei im Raum des Hallenchors der Lorenzkirche. Stoss hat nach Vorstellungen und im Auftrag Anton II. Tuchers zu meditativer Btrachtung einen Kranz von Rosen mit den sieben Rundbildern der sieben Freuden Mariae geschaffen. Eine wiederholte Rezitation von den Gebeten und Spruchen zur Konzentration des Geistes spielt eine grosse Rolle um die vielfaltige Symbolik dieses Werkes zu verstehen. Man sieht das Mysterium der Freude und der Glorie auf der vorderen Seite und der Passion auf der hinteren Seite. Durch die Behandlung des taglichen Rosenkranzes und die Wanderung um den Chor konnen die Mitglieder drei Mystrien korperlich und geistlich begreifen.
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Article type: Appendix
1998 Volume 49 Issue 3 Pages
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Kaoru ADACHI
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1998 Volume 49 Issue 3 Pages
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Akira AMAGASAKI
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1998 Volume 49 Issue 3 Pages
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Tamako ISHIZU
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1998 Volume 49 Issue 3 Pages
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Tadashi ISHIZEKI
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1998 Volume 49 Issue 3 Pages
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Yasuhiko ISOZAKI
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1998 Volume 49 Issue 3 Pages
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Akira IMURA
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1998 Volume 49 Issue 3 Pages
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Takahiko OTA
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1998 Volume 49 Issue 3 Pages
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Mariko OHARA
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1998 Volume 49 Issue 3 Pages
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Tanehisa OTABE
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Makoto KASUYA
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1998 Volume 49 Issue 3 Pages
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Hiroshi KATO
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1998 Volume 49 Issue 3 Pages
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Susumu KANATA
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1998 Volume 49 Issue 3 Pages
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Eri KISHIDA
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1998 Volume 49 Issue 3 Pages
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Shinji GOTO
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1998 Volume 49 Issue 3 Pages
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Yoko SANO
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1998 Volume 49 Issue 3 Pages
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Mari TAKAMATSU
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1998 Volume 49 Issue 3 Pages
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Takeshi TOTANI
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1998 Volume 49 Issue 3 Pages
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Takanori NAGAI
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1998 Volume 49 Issue 3 Pages
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Hisao NISHIKAWA
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1998 Volume 49 Issue 3 Pages
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Kiyokazu NISHIMURA
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1998 Volume 49 Issue 3 Pages
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RYO FURUTA
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1998 Volume 49 Issue 3 Pages
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Akihiro HOSODA
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1998 Volume 49 Issue 3 Pages
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Mariko MIKAMI
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1998 Volume 49 Issue 3 Pages
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Uichi MORITANI
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1998 Volume 49 Issue 3 Pages
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Toshiko YAMASAKI
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1998 Volume 49 Issue 3 Pages
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Hiroshi YOSHIDA
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1998 Volume 49 Issue 3 Pages
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[in Japanese]
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1998 Volume 49 Issue 3 Pages
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[in Japanese]
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Article type: Appendix
1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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Article type: Cover
1998 Volume 49 Issue 3 Pages
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1998 Volume 49 Issue 3 Pages
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