The purpose of this study is to research on the features of training and inter-disciplinary match characteristics in the three groups: the Naganuma, the Fujikawa and the Odani group. These three groups belonged to Jikishinkage-ryu
kenjyutsu school and engendered different training styles. We analyzed the inter-disciplinary matches and the lineage of their
kata. We also examined their view on
kenjyutsu which, we considered, caused their characteristic features.
The conclusions of this study are as below.
1.The Naganuma group adopted mainly
jyodan posture to do uchikomi in the matches. Eight kinds of
kata were practiced in the Naganuma group.
2.We consider that there were two reasons of their frequent adoption of
jyodan posture in the matches: one was they frequently used
shikake-waza and the other was they considered that the
jyodan posture was convenient to deal with opponent’s actions. These characteristics developed the idea of attaching great importance to
jyodan in the Naganuma group. They did not neglect
kata practice even in the late Edo period when inter-disciplinary matches flourished.
3.As in the Naganuma group,
jyodan was also adopted frequently in the Fujikawa group in their inter-disciplinary matches. Since the days of Saito Akinobu, five kinds of
kata were practiced.
4.Fujikawa Seisai established the disciplinary system of Fujikawa group in the late Edo period. He criticized that the
shinai-uchikomi-geiko stuck too much to winning and emphasized mental training. He insisted that the
kata practice was effective in mental training.
5.In the Odani group,
jyodan posture was not adopted. It is recorded that Odani Seiichiro adopted only seigan and gedan postures in the matches in Tempo era. As to
kata practice only Hojyo is handed down in the Odani group and To-no-kata was trained in
shinai-uchikomi-geiko.
6.Odani criticized the division of
kenjyutsu into school names and insisted the importance of inter-disciplinary matches to develop one’s strong points and make up for the weak points. The trend as from Tempo period of
Tsuki- techniques with a long
Shinai was one of the reasons that Odani changed the traditional
jyodan posture of Jikishinkage-ryu to
seigan posture.
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