Singing (Shoka-ka) teacher Zengo Aoyagi’s (1884-1957) theory of formal steps to singing was formed on a theoretical basis in Eiji Makiyama’s Kyojyu no Dankai ni Kansuru Kenkyu (The Study about Formal Steps of Teaching). A comparison of Aoyagi’s step theory and Makiyama’s work reveals that Aoyagi selected information on skill acquisition from Makiyama’s work but changed the wording when applying it to singing. Moreover, of the three steps of preparation, teaching, and practice, Aoyagi identified practice as the most important step. This is because Aoyagi recognized that, in singing as a technical subject, the aim is to demonstrate acquired skills. Regarding preparation, Aoyagi considered that it is possible to relate musical elements, based on the association of ideas, such as rhythm in previously learnt material to new teaching material and then assimilate them. He therefore understood formal steps in relation to the theory of teaching material, that is, the selection of teaching material. Thus, Aoyagi not only applied formal steps to singing as a teaching procedure but also attempted to establish a theoretical understanding.
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