This study examines how the making of clothes and cloth has been related to people’s everyday lives, and its meanings in them by drawing upon cases in the Aceh province of Indonesia. The cases were collected from 2009-2011. We visited workplaces and shops of traditional handicrafts such as
songket (supplementary weft weaving),
batik,
bordir and
kasab (embroideries), tailor shops, boutiques, and sewing classes. Throughout Aceh, we found a type of production system in which a woman director (
pengusaha) who owns or operates a company or craft studio organizes a group of women workers (
pengrajin) to make embroideries, clothes and cloth when they are on hiatus from childrearing and domestic work. We also found that a nation-wide, governmentally-supported organization,
DEKRANAS, established in 1981, has been encouraging and promoting the production of local traditional crafts including clothes and cloth, by providing opportunities to transfer skills, to promote marketing and to upgrade designs. Usually women civil officers and wives of civil officers are members of the organization. Some of them think of the work of the
DEKRANAS work as “social”, a voluntary contribution to local life. The making of clothes and cloth sustained by the above-mentioned production system and the
DEKRANAS in Aceh has survived difficult times (conflict and tsunami) and has contributed to the mental care of people in Aceh. It also seems to have become a thing worth doing especially for the craft-studio owners who realize the importance of traditional culture.
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